A student
Professor Louis Delage is a kidney transplant specialist. He is so good in his field that his peers nickname him the "great man". But one day, one of his patients die during surgery and Delage starts doubting. Is he actually such a great man? To fight desperation he decides to take in the deceased child while devoting more time to Florence, his hitherto neglected wife.
Olivier Cabrol is an immature young reveler who lives from hand to mouth. One day he inherits a fabulous fortune from an eccentric uncle. But on the one condition to spend a certain amount of time as a tramp. Olivier accepts out of sheer greed but soon finds the experience rewarding. He finds himself as well as new friends (true ones this time) and even love in the person of Colette.
Priest Dufrety
孤高の映画詩人ブレッソンの表現が精神の極みへと向って行く姿勢は、このごく初期の作品にも端的に見られる。それは悩み深き若い司祭を主人公にしているという表層からでなく、その懊悩を突き放すように客体化する、怜悧なまでの映像の力によって痛感させられるのだ。田舎司祭を取り巻く人々の聖と俗に揺れる姿が、彼の信仰にどう関わり、彼が自らどのような答えを出して行くかが、正に日記を綴る描写を挿し挟みながらスケッチされて行くが、彼は次第に懐疑的にならざるをえなくなり、健康をも害してしまう。ブレッソンのどの映画を見てもそうだが、描写の余りの潔癖さに、他のイメージに置き換えながら(詰まり自分流の翻訳をしつつ)見たくなるほど、純度の高い映画だ。
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Roger Laroque, an honest industrialist, is the victim of a criminal machination by Julia de Noirville, his possessive and jealous mistress allied to the perfidious Paul Luversan, meant to make Roger take responsibility for the crime he himself committed. Laroque is sent to prison, from where he escapes by sea. When he is reported missing, it looks like he drowned. But he reappears with revenge as his objective. He also wants his daughter Suzanne back. For his wife, it's too late, she died of grief.
Following a trivial road accident, Ariane, an international adventuress, falls in love with Bernard Fleuret, a young artist-painter with diseased lungs. Being pursued by the police, she chooses to hide in the sanatorium where the young man is treated. Ariane proves so smitten by love that she finally changes her ways: she decides to let herself be arrested, sure as she is she will be reunited with her loved one later on.