Campbell Walker

参加作品

Clear Sky
Director of Photography
Pusher
Drug comedy short
Campbell Walker Is a Friend of Mine
The Aro Valley Digital film movement is examined through interviews with the various filmmakers and extensive clips of their work.
Little Bits of Light
Editor
Helen is suffering from chronic depression and uses self inflicted pain as a means of escape. Alex loves her so keeps trying to care for her.
Little Bits of Light
Director of Photography
Helen is suffering from chronic depression and uses self inflicted pain as a means of escape. Alex loves her so keeps trying to care for her.
Little Bits of Light
Writer
Helen is suffering from chronic depression and uses self inflicted pain as a means of escape. Alex loves her so keeps trying to care for her.
Little Bits of Light
Director
Helen is suffering from chronic depression and uses self inflicted pain as a means of escape. Alex loves her so keeps trying to care for her.
I Think I'm Going
Producer
The listless love lives and insecure domestic arrangements of a group of Wellington 20-somethings are scrutinised with insight and irony in I Think I’m Going, which derives its telling title from the charmless words of the spent lover who’d suddenly prefer to be alone. (NZIFF)
I Think I'm Going
Drug dealer
The listless love lives and insecure domestic arrangements of a group of Wellington 20-somethings are scrutinised with insight and irony in I Think I’m Going, which derives its telling title from the charmless words of the spent lover who’d suddenly prefer to be alone. (NZIFF)
Christmas
Editor
"This singular, bleakly funny, R-rated vision of Kiwi life clinches King's position as the most distinctive new voice in NZ film, as insistent and inescapable as The Warehouse jingle." - New Zealand International Film Festival director Bill Godsen. Made at the beginning of the digital revolution, this micro-budget feature went on to win several awards and be selected for major Fests incl. Toronto, Locarno, Edinburgh, and Melbourne.
Why Can't I Stop This Uncontrollable Dancing?
Writer
A woman wakes up in the morning to an excessive number of phone messages from her ex-boyfriend.
Why Can't I Stop This Uncontrollable Dancing?
Editor
A woman wakes up in the morning to an excessive number of phone messages from her ex-boyfriend.
Why Can't I Stop This Uncontrollable Dancing?
Producer
A woman wakes up in the morning to an excessive number of phone messages from her ex-boyfriend.
Why Can't I Stop This Uncontrollable Dancing?
Director
A woman wakes up in the morning to an excessive number of phone messages from her ex-boyfriend.
.OFF.
Director of Photography
Colin Hodson is an axiom of Aro Valley no-budget cinema. The male half of the "Uncomfortable Comfortable" couple, and director/star of "Shifter", now adds a third closely observed portrait to his gallery of passive aggressives.
.OFF.
Producer
Colin Hodson is an axiom of Aro Valley no-budget cinema. The male half of the "Uncomfortable Comfortable" couple, and director/star of "Shifter", now adds a third closely observed portrait to his gallery of passive aggressives.
Shifter
Director of Photography
Shifter's life is a mess. His flatmates play "horrible un-music" and drink all the milk. He can't talk to his ex without arguing. He can't get his answerphone messages. His new flat is a tip, and he's having nightmares about killer rabbits -- but it gets worse... The second digital feature from the Wellington, New Zealand based Gordon Productions collective, Shifter is a paranoid black comedy about how the world is really out to get you...
Shifter
Producer
Shifter's life is a mess. His flatmates play "horrible un-music" and drink all the milk. He can't talk to his ex without arguing. He can't get his answerphone messages. His new flat is a tip, and he's having nightmares about killer rabbits -- but it gets worse... The second digital feature from the Wellington, New Zealand based Gordon Productions collective, Shifter is a paranoid black comedy about how the world is really out to get you...
Shifter
Slim
Shifter's life is a mess. His flatmates play "horrible un-music" and drink all the milk. He can't talk to his ex without arguing. He can't get his answerphone messages. His new flat is a tip, and he's having nightmares about killer rabbits -- but it gets worse... The second digital feature from the Wellington, New Zealand based Gordon Productions collective, Shifter is a paranoid black comedy about how the world is really out to get you...
Uncomfortable Comfortable
Editor
"I wanted to take a slow, searching look at a couple in trouble – it's not punched up melodrama, just the awkward way two people try and fail to negotiate the realisation that it isn’t really working out. At the time we were working within an explicitly realist mode, somewhere between John Cassavetes and Maurice Pialat, exploring the way that improvisation generates an emotional complexity within the characters while helping to maintain an interestingly curved narrative." (Campbell Walker)
Uncomfortable Comfortable
Screenplay
"I wanted to take a slow, searching look at a couple in trouble – it's not punched up melodrama, just the awkward way two people try and fail to negotiate the realisation that it isn’t really working out. At the time we were working within an explicitly realist mode, somewhere between John Cassavetes and Maurice Pialat, exploring the way that improvisation generates an emotional complexity within the characters while helping to maintain an interestingly curved narrative." (Campbell Walker)
Uncomfortable Comfortable
Producer
"I wanted to take a slow, searching look at a couple in trouble – it's not punched up melodrama, just the awkward way two people try and fail to negotiate the realisation that it isn’t really working out. At the time we were working within an explicitly realist mode, somewhere between John Cassavetes and Maurice Pialat, exploring the way that improvisation generates an emotional complexity within the characters while helping to maintain an interestingly curved narrative." (Campbell Walker)
Uncomfortable Comfortable
Director
"I wanted to take a slow, searching look at a couple in trouble – it's not punched up melodrama, just the awkward way two people try and fail to negotiate the realisation that it isn’t really working out. At the time we were working within an explicitly realist mode, somewhere between John Cassavetes and Maurice Pialat, exploring the way that improvisation generates an emotional complexity within the characters while helping to maintain an interestingly curved narrative." (Campbell Walker)