Justin Small

In 1909, Willie Boy and his love Carlota go on the run after he accidentally shoots her father in a confrontation gone terribly wrong. With President Taft coming to the area, the local sheriff leads two Native American trackers seeking justice for their “murdered” tribal leader.

Twenty-one years after Alan Zweig’s groundbreaking first feature documentary Vinyl, Zweig returns to the topic of compulsive record collecting with newfound introspection and a sunnier disposition. Punctuated by his signature mirror-confessionals, Records compiles colourful interviews with vinyl enthusiasts, swirling around the proverbial maxim that music has the power to connect us all.

For more than forty years, British journalist Robert Fisk has reported on some of the most violent conflicts in the world, from Northern Ireland to the Middle East, always with his feet on the ground and a notebook in hand, travelling into landscapes devastated by war, ferreting out the facts and sending reports to the media he works for with the ambition of catching the interest of an audience of millions.

Widespread sexual abuse within the Catholic Church has traumatized thousands. Many have only recently come forward to speak publicly, while others have been silenced through settlements. One of the perpetrators, Father Hod Marshall, pled guilty to 17 assault charges; a colleague, Father David Katulski, called him a "very good pedophile." One of his victims, seeking closure for this traumatic part of his childhood, filed suit against the Basilian Fathers of Toronto for its role in enabling Marshall's depravity. As the case moves through the courts—led by "the priest hunter," lawyer Rob Talach—the silence the Catholic Church fought so vigorously to maintain is broken. Director Matt Gallagher opens a channel for those brave survivors who are willing to provide testimony, culminating in a powerful damnation of an institution that must be exposed and held to account.

製材所を営みながら、妻と娘、そして父リンデンと暮らしているジョー。ある時、ジョーは自分が認知症だと認められずにいる父と話し合うため、父を思い出の詰まったロッジへ誘う。だが前夜、雪道で車を横転させた犯罪組織が、輸送中だった大量の麻薬をとっさにそのロッジに隠していたのだ。一方ロッジに着いたジョーは、車に娘がこっそり乗り込んでいたことに驚かされていた。そんな中、麻薬を回収しにギャングたちが現われて……。

An incomplete document of a music scene

Focuses on two subjects in particular: Rob Niosi, who has spent many years building a full-scale replica of the prop from the 1960 film The Time Machine, and physicist Ronald L. Mallett, who has dedicated his life to researching the scientific possibility of time travel.

Deaf and mute since having his hearing knocked out at the age of 12, Asher has been training for almost two decades to avenge himself on Ivan, the man that killed his older brother, 21 years ago. And now that his nemesis is out of prison, he gets his chance. But Asher's target also happens to be his father.

DON'T GET KILLED IN ALASKA follows Liney (LEE-NEE) a 20 year-old tomboy as she travels back to Ontario with her new boyfriend Dan after a summer of tree planting. Having lost all their money in a questionable incident, Liney agrees to ask her family for money to get them both to Alaska where they plan to spend the winter working on a fishing boat. Liney is forced to deal with her family dynamics as she meets with her estranged mother, her judgmental older brother and her silent father. Everyone has a plan for Liney, except for Liney.

While Native American Wolf is being pursued by the FBI for having taken the law into his own hands, when his mother was raped and killed on their reservation he crosses paths with Cash, a down and out musician who is coping with the end of his marriage. An unlikely friendship develops, as they ride together towards the Teton mountain range, where Wolf will spread his mothers ashes.

Gigi abandoned her young daughter, Zarianne, to pursue her dreams of movie stardom but instead becomes a starlet in horror films. Years later, Zarianne is a single mom and artist who creates portraits entirely out of butterfly wings. Her bickering kids are 12 year old Ryder and 14 year old Tate. Gigi returns to Zarianne claiming she is dying and seeking redemption for leaving her motherless. But is Gigi a drifter, grifter or ghost who will destroy their family? Only Tate, Ryder and a mysterious swarm of Sunset Moths hold the secret.

Unfolding on three continents, this engaging documentary follows four groups of people whose lives are wrapped up in the complex world of chocolate.

Before the body-threatening antics of Jackass came crashing into public consciousness, there was Ontario's Ralph Zavadil, aka Cap'n Video, who cascaded off roofs into snowbanks, jumped off ladders into half-empty swimming pools, and drank eggs through his nostrils. Beauty Day is a rambunctious documentary about this irrepressible pioneer of local-access cable shenanigans who entertained and outraged viewers in the small city of St. Catharines-until a special Easter Show, featuring a fat rabbit and adorable puppies (none of which were hurt), got him kicked off the air for good. With a nod to Werner Herzog, Cheel follows the life and times of Cap'n Video and finds that the Cap'n is still quite a firecracker. Written by Laurence Kardish

Caleb is 27, and was raised in the majestic Kootenays by his bush hippie parents. He loves his father Jim and understands his reverence for wood working, coriander and Soya products, but he just doesn't get Jim's determined effort to achieve economic disaster at every turn. His father is a relentlessly unsuccessful business man, and as the junior partner in their carpentry shop, Caleb is powerless to stop the fiscal self sabotage. When Matthew, an old friend of Jim's, arrives in the valley to develop a high-end fishing lodge, Caleb sees fortune looming, provided he can keep his father distracted long enough. But a small deception leads to colossal betrayal, and soon Caleb must face the fact that he's reached that treasured day when a boy becomes man enough to tell his father get lost.

The Perfect Story offers a riveting, intimate look at the ethical and moral challenges sparked by the relationship between a foreign correspondent and a young Somali refugee. By revealing the boundaries of journalism and filmmaking, the film questions what stories are told, why, and who gets to tell them.