Dylan Penn

Phil Schreiber, a self-involved hedge fund manager living in New York City, escapes to the Hamptons with his wife and son at the beginning of the COVID-19 pandemic. Making an already fraught situation worse is the surprise arrival of Phil’s college roommate Charlie, an exemplar of Falstaffian excess. As Charlie makes himself at home, secrets are revealed that threaten to do more harm than the virus they’re all trying to avoid.

A young man struggling for a good life meets a deaf girl from a well-off nearby family, he suddenly sees hope for love, and a better life but only if he can escape the predicament of the streets and the influence of his older sister.

A father lives a double life as a counterfeiter, bank robber and con man in order to provide for his daughter.

In the near future the federal government issues a law limiting births to one child per family because of overpopulation.

In 1970, a few days before Christmas, Elvis Presley showed up on the White House lawn seeking to be deputized into the Bureau of Narcotics and Dangerous Drugs by the President himself.

Fed up with her parents' bickering, poor-little-rich-girl Maya (Dylan Penn) moves in with her boyfriend who is squatting in an old, condemned building on Manhattan's Lower East Side. With neighbors that are meth heads, junkies and degenerates, this depraved hell hole is even more toxic than it appears: After a virus born from their combined noxious waste and garbage infects the building's residents, one by one, they succumb to a terrifying pathogen that turns them into bloodthirsty, rampaging killers and transforms their building into a savage slaughterhouse.