Jean-Laurent Csinidis

参加作品

Le jour de gloire
Producer
20-year-old Kamel has a project for his low-income neighborhood in the South of France. Committed and idealist, he is invited to pitch it to the Minister of urban planning, in person. Together with his sidekicks Hichem and Youssoufa, Kamel finds himself in over his head, caught up in a political game.
The Sound Is Innocent
Co-Producer
As if directing a science-fiction film, Johana Ožvold dissects the story of electronic music. From the pioneer sound engineers working behind the Iron Curtain, through the French avant-garde composers, up to the post-modern creators of digital sonic artefacts, the first-time filmmaker summons an abstract landscape that is haunting and yet achingly beautiful. A voice appears from old television screens forgotten in the maze of some futuristic archive where past and future seem to coexist in a complex and multi-layered way.
Game Girls
Producer
Game Girls follows Teri and her girlfriend Tiahna as they navigate their relationship through the chaotic world of Los Angeles’ Skid Row, aka the “homeless capital of the U.S.”
Tigre
Associate Producer
After a long period of absence, Rina returns to her island deep in the Tigre river Delta. There she spent a large part of her life and raised her son. Now she wants to recover her home and return there with Facundo, who also left the island. Both, mother and son, will learn that nothing is like it was. Machines on the river are about to destroy everything. A girl is lost in the forest. The water is rising.
Uncanny Valley
Executive Producer
Inside a museum, nowadays. A diorama represents two young soldiers in the trenches. All of a sudden, we are thrown into the diorama: the immobile soldiers come to life, there is terror on their faces – the camera dances around them – explosions, chaos, fog: everything flies about in the air. With every gunshot, they shudder and curl up
Stranger Eyes
Co-Producer
Following the disappearance of their 2-year-old daughter, Darren and Tara receive mysterious videos of their family and intimate life. When they find the voyeur, Darren decides to reverse the roles and spy on him in turn, without suspecting that this will lead him to confront his own image.