Ma-an Asuncion-Dagñalan

参加作品

Blue Room
Executive Producer
A progressive rock band composed of privileged teenagers get arrested for drug possession, and are brought into the “Blue Room” where they must make the difficult choice between freedom or standing up for what they believe in.
Blue Room
Writer
A progressive rock band composed of privileged teenagers get arrested for drug possession, and are brought into the “Blue Room” where they must make the difficult choice between freedom or standing up for what they believe in.
Blue Room
Director
A progressive rock band composed of privileged teenagers get arrested for drug possession, and are brought into the “Blue Room” where they must make the difficult choice between freedom or standing up for what they believe in.
Paglaya sa Tanikala
Writer
Young Berto is a glue-sniffing, street child that has fallen prey to human traffickers. When the street urchin meets Somascan Bro. Jerry, he finds refuge in the Casa Miani orphanage. But the brotherhood of the streets compel him to follow their code.
Layang Bilanggo
Writer
An aging assassin hides in a facility for abandoned senior citizens to protect a daughter he left years ago.
The Blood Trail
Line Producer
Laya is a young professional photographer who has drifted away from her family. Her father has fallen ill, but she hasn’t once come to visit him at the hospital. Her mother, who left their family when Laya was a child, returns to urge Laya to make amends with her father, but Laya’s pain goes deeper than her mother suspects. Laya is sent to the provinces to document a ritual of a disappearing indigenous tribe, and there, she inadvertently comes face to face with her own demons as she observes the relationships of the last remaining members of this dying culture.
My Fake American Accent
A slice-of-life workplace comedy following the lives of technical support call center agents in the span of six months. Speaking with a fake American accent is a prerequisite for the job. This ensemble comedy is an inside look into the maddening, sleep-deprived, caffeine-fuelled lives of those who ply their trade in the call center industry.
Pandanggo
Bridal Shower Friend (segment "It Takes Two to Tango") (as Maan Asuncion)
Pandanggo has three stories with parallel themes converging in one event, the Kasilonawan Festival in Obando: a career woman learning to dance tango who is torn between her dance partner and live-in partner has to choose the man who will satisfy her dream of raising a family; a wife whose wish to conceive a baby boy to make her husband happy brings her feet to the festival, but fate has other plans of bringing the child into her life; and a modern woman who, amidst her medical condition that might render her childless for the rest of her life, finds connection with an ancient lore about fertility.
Image Nation
Producer
Imahe Nasyon is a groundbreaking, conceptual omnibus film by 20 alternative filmmakers who were tasked to present their personal visions on national issues. Renowned line producers Jon and Carol Red hatched the idea of revisiting the 1986 EDSA revolution, challenging directors to answer the question "What happened after 1986?" with a short film not longer than five minutes each. Despite individual techniques, the same goal is shared: to depict a truthful image of the nation at present.