Lajos Gulyás

Vendel Imre is a driver, his wife is expecting a baby, they have two sons. Before 1945 Vendel was a military officer. In 1951 they receive a letter from the Ministry of Interior: they will be transported to a forced domicile, allowed to take 50 kg personal belongings per person with them.

The unskilled, jack-of-all-trades András and his wife, Éva are put in jail for serial work-place thefts, -committed in order to try to ensure a normal living standard for his family - and for aggravated assault committed for self-defence, respectively. Their two small children are put in state care, then given to foster parents. András, still in prison, commits everything to help the released Éva get hold of an apartment and get their children back so that when he will have served his term the family could be together again.

Blind luck ties the fate of two people together.

Three generations live side by side. The wilful, jack-in-all-pots grandmother blackmails the family with fake faintings, while grandpa suffers from cerebral sclerosis. Mother manages a fashionable hotel, she needs to look smart and unyielding, even when their weird uncle drives into the restaurant drunk. Father is an introverted, solitary teacher, who from time to time turns the home inside out in pursuit of his hobby, i.e. topography, and his mental balance. Suddenly unexpected things come to light about their teen-age daughter, Juli.

When hunting, Zrínyi Miklós finds an Angel with a broken wing. He takes him for a heavenly message and carries him to his castle for cure. Lords and priests come to Zrínyi's court, one after the other, to see Angel. The occasion is appropriate for the ban to win them over to his plan: they should unite their forces to fight for the country's independence.

A Budapest high school in the beginning of the 1960s. Dini suffers the torments of adolescence. His father had to leave Hungary after the uprise in 1956, and since then Dini's mother has had to take care of her two sons on her own. A friend of Dini’s father, Bodor, is released from prison and moves in with them. Dini and his brother are far from happy about this intrusion on their family life.

The scene of the story taking place in the 18th century is an inn, which is advertised by its owners for sale. The inn was namely the scene for mysterious disappearances and murders, but the result of all these events, the treasury is hidden and guarded by the mother. Everybody want to get it from her during one night: the inn-keeper couple, the fake couple who arrived as buyers, Colonel Majorossy with his son, the secret agent and the servants.

Hungary, 1950s. József Pelikán, who works as a dam keeper on the Danube, meets by chance Zoltán Dániel, an old friend whom he saved from death years before and who is now a powerful politician.

Balog Mihály, the Gypsy man from Szabolcs works in Budapest. That is where he is notified that his young wife died. Again he behaves differently from his fellow-men in the Koportos Gypsy settlement: he wants to give a beautiful, rich burial ceremony to his wife.

The subject-matter of this comedy is age-old: that of the schizophrenic soul. Papa would have liked boy twins years ago, but her wife gave birth to a single child weighing six kilograms. He would like to dampen his feeling of emptiness by having the boy registered both as Péter and Pál.

György Szomjas’s first feature—made after a decade of short documentaries—is a bold attempt at a goulash western, set on the puszta, or Great Hungarian Plain, in 1837. Mixing Miklós Jancsó imagery and a Sergio Leone narrative, this ballad-like saga opens with image of a lone horseman on the empty plain, riding past a rude gallows. The film concerns the vengeful return of a legendary betyár (outlaw), briefly a hero to the local herdsmen who oppose the state building a canal across their grazing land. Although Szomjas works from ethnographic records and archival material, it is hardly surprising that this violent, primitivist film would be more popular with Hungarian audiences than critics. Replete with young guns, crooked sheriffs, tavern brawlers and hardbitten plug-uglies, this widescreen film is strikingly shot by Elémer Ragályi (cinematographer for most of Gyula Gazdag’s films)—a feast of loamy, autumnal colors.

György Szomjas’s first feature—made after a decade of short documentaries—is a bold attempt at a goulash western, set on the puszta, or Great Hungarian Plain, in 1837. Mixing Miklós Jancsó imagery and a Sergio Leone narrative, this ballad-like saga opens with image of a lone horseman on the empty plain, riding past a rude gallows. The film concerns the vengeful return of a legendary betyár (outlaw), briefly a hero to the local herdsmen who oppose the state building a canal across their grazing land. Although Szomjas works from ethnographic records and archival material, it is hardly surprising that this violent, primitivist film would be more popular with Hungarian audiences than critics. Replete with young guns, crooked sheriffs, tavern brawlers and hardbitten plug-uglies, this widescreen film is strikingly shot by Elémer Ragályi (cinematographer for most of Gyula Gazdag’s films)—a feast of loamy, autumnal colors.

The loving couple of this grotesque parable parody of the Kádár-regime, Mária and István row to an uninhabited, idyllic island. Soon crazy tent-pitchers swarm to the island, led by an official representative of the regime.

Using high-school students, Hungarian director Ferenc Kardos re-created the 1848 revolutionary period in that country's history which was dominated by the poet/soldier Sandor Petofi (1822-1849). Petofi wrote many epic poems which inspired Hungarian nationalism, the most well-known of which is Up Magyar! The students were encouraged to improvise without costumes or scenery, and did so with gusto.

Based on the stories of Hungarian writer Gyula Krúdy, this iconic film is a lush and sensuous depiction of the life, loves and memories of serial seducer Szindbád.

Luca regularly visits her bedridden mother-in-law. Luca's husband, János, has been arrested on a trumped up political charge, and Luca does not know if he is still alive. Luca hides this from his mother by making up letters purporting to be from János who is directing a big film in New York. Luca discovers that János is alive, and is dismissed from her teaching job because of her husband. The dying mother anxiously awaits the return of her son from New York.

A comedy about a lost inheritance, love and a red umbrella, which, according to a local legend, belonged to St. Peter himself.