Simon Manyonda

Two twenty-somethings, both reeling from bad break-ups, connect over the course of an eventful day in South London – helping each other deal with their nightmare exes, and potentially restoring their faith in romance.

A special forces veteran, an uptight property developer, an influencer with half a million followers and an incompetent instructor are thrown together on a high-end fear of flying course. The course's final challenge is an experience flight from London to Iceland, which ends up being a horrendous ordeal. Lost in Iceland, freezing and terrified, they must find a way of facing their fears and working together to spread their wings... and fly.

An otherworldly journey through a Europe in decline - a collection of darkly humorous, fantasy tales about ill-fated characters and doomed fortune.

『チャーリーとチョコレート工場』で知られる児童文学作家ロアルド・ダールの原作を、『バック・トゥ・ザ・フューチャー』のロバート・ゼメキス監督が映画化。世界一恐ろしい大魔女をアン・ハサウェイが演じたファンタジー。

Alex arrives uninvited to a party and, after a set of excruciating interactions with other guests, is forced to recount a self-reflecting dream he has had. A meditation on oneiric experience in cinema, mental health, talking dogs and fishermen.

A haunting ghost story set against the backdrop of a busy winter sales period in a department store, following the life of a cursed dress as it passes from person to person, with devastating consequences.

An aging King invites disaster, when he abdicates to his corrupt, toadying daughters, and rejects his loving and honest one.

19世紀、アメリカは電気の誕生による新時代を迎えようとしていた。白熱電球の事業化を成功させたトーマス・エジソンは天才発明家と崇められ、大統領からの仕事も平気で断る傲慢な男だった。裕福な実業家ジョージ・ウェスティングハウスは、大量の発電機が必要なエジソンの＂直流＂による送電方式より、遠くまで電気を送れて安価である＂交流＂による送電方式の方が優れていると考えていた。若手発明家のテスラも、効率的な＂交流＂の活用を提案するが、エジソンに一蹴されてしまう。 そんな中、ウェスティングハウスは＂交流＂での実演会を成功させ、話題をさらう。そのニュースにエジソンは激怒、＂交流＂による送電方式は危険で人を殺すと、ネガティブキャンペーンで世論を誘導していく・・・ こうして世紀の＂電流戦争＂が幕を開けた！訴訟や駆け引き、裏工作が横行する中、ウェスティングハウスはエジソンと決裂したテスラに近づく──果たしてこのビジネスバトルを制するのはどちらか──！？

For generations, African men have gathered in barber shops to discuss the world. These are places where the banter can be barbed and the truth is always telling. Follow along as we leap from a barber shop in Peckham to Johannesburg, Harare, Kampala, Lagos and Accra over the course of a single day.

There’s a sense that time is running out. Our narrator, Simon, is like a man sinking in quicksand. He’s a man of routine. Rising, dressing, travelling to work on the DLR. Every day is the same. His sense of self is slipping away as he becomes (perhaps literally) someone else. It’s a similar story for Dr Benham, stuck in his STD clinic watching a parade of patients come and go. In his parallel story of metamorphosis he’s being spat out by his own life. He too is becoming a different person, from the feet up.

A tale of music and memory is unspooled through a schoolgirl's mixtape.

An aged king decides to divide his kingdom between his three daughters, according to which of them is most eloquent in praising him. His favourite, Cordelia, says nothing. Simon Russell Beale, whose recent appearances at the National include Timon of Athens and Collaborators, takes the title role in Shakespeare’s tragedy.