Gligor Pakovski

An omnibus with 3 segments: The Bird Urubu and Virgin, Wonderful World and Devil in the Heart, sometimes referred to as separate movies.

Through fragments of the life of Boris and his son Matej, the film is about the conflict of generations, the gap created by the ideological coloration that one has and the other does not have. Political prisoner Boris, after spending several years in prison, returns home. After the divorce with his wife, in his apartment now live his son Matej, a grown man who is trying to earn his living as a musician, his girlfriend Mira and a hitchhiker that Matej found on the road.

Film about the power of evil and temptation, about greed and the frailty of a friendship that leads two friends into self-destruction.

A man enters a bar. А woman is sitting at the counter next to him, he approaches her, drinking the glasses arranged next to her, and when he comes to her, he drinks the last one and falls to the ground drunk.

One of the nails does not enter the tree at all, it can not be nailed. It is associated with dignity, endurance, steadfastness. One must always stand behind one's principles and determinations.

The film reflects the life of the Macedonian emigrants and migrant workers in Australia. With their going away in far away countries and living abroad, some of them have succeed in socializing, but there are still some of them who always remain with the dilemma of returning in their native country. Through their personal retellings and the metaphor description of their whole way of living in the new surroundings, expressed in a mosaical cinemathographic way, one could get known with the hard work of the Macedonian emigrants; also, the education of their children, as well as the holly celebrations in the church, such as the baptizing, the weddings, but even the funerals either, as unavoidable part of human living.

The film reflects the life of the Macedonian emigrants and migrant workers in Australia. With their going away in far away countries and living abroad, some of them have succeed in socializing, but there are still some of them who always remain with the dilemma of returning in their native country. Through their personal retellings and the metaphor description of their whole way of living in the new surroundings, expressed in a mosaical cinemathographic way, one could get known with the hard work of the Macedonian emigrants; also, the education of their children, as well as the holly celebrations in the church, such as the baptizing, the weddings, but even the funerals either, as unavoidable part of human living.

Two old people who are still in love, and are separated on both sides of the border that does not allow them to be together, are seen daily. She, all in black, comes to gather grass in the grove, and he, sitting on a tree with a pipe in his hand, is constantly waiting for her to appear. The border guards are relentless and prevent her from trying to cross the border. And so passes the time filled with the memory of a happiness, so possible and unrealized because of the border stone that divides the country.

People need a leader. Someone has to lead them, even if he is sick. The man in black stands at the bus stop and warns anyone who comes to stand in line. The queue is getting longer. When the bus arrives, the man lets the people in line enter in front of him, and when he prepares to enter, paramedics come and take him away.