Katarina Türler

A journey at high altitude seen through the eyes of three mysteriously connected hikers. After their coincidental meeting we follow these three on their personal odysseys. The levels of concentration they exhibit in trying to avoid mistakes makes their experience of the overwhelming landscape even more intense.

Documentary about the writer Thomas Verbogt and the creation of his latest work. The film shows how Verbogt takes a radical experience from his earliest childhood as the starting point for a novel. Drawn animations, combined with filmed scenes, depict how the writer's imagination sprouts from a literary character.

Maud and Frank are on holiday in Chile. Their relationship is fragile and so is Maud. After many years of trying, it is now time to face the fact that they will never have children. However, Maud is in denial. After a huge fight with Frank she runs off and sets out on a road trip through Chile to get her life back on track.

Headbutt portrays the desire of Tobias (15) to restore the old relationship he had with his brother Lucas (18). While they used to do everything together, Lucas now has no interest in his younger brother anymore. When Tobias fantasizes that Lucas will commit suicide, Tobias has no other option than to restore the relationship with his isolated brother.

By building a Buddhist temple in the Netherlands, Mr. Hu attempts to bridge the gap between old and new, East and West.

The documentary closely portrays three patients who are being treated with Electro Convulsion Therapy (ECT) for their depression or psychosis.

＜15歳の夏、僕は彼に出会った―＞陸上部に所属するシーヘルは、チャンピオンシップ大会に向けて結成された強化チームに選ばれ、同じく選手として選ばれた自由快活で爽やかな少年マークと出会う。ある日、練習の後、友達と泳ぎに出かけ二人きりになったマークとシーヘルはお互いに引き寄せられるようキスをしてしまう。ガールフレンドのイェシカと会っていても、シーヘルの頭の中にはマークが浮かんでばかり。その気持ちは友情なのか愛情なのか自分でもよくわからない。

What started out as a simple holiday trip on the Swiss mountain lake, is beneath the surface an intense drama between a mother and her daughter.

The Dutch band The Ex has been around for more than twenty years. All this time, nothing much has changed. Only their music is constantly developing. From straightforward punk to improvised music - again and again, new ground is broken. The music, the mutual concord and the interaction with the audience reflect an attitude to life based on obstinacy and curiosity, and certainly not on conformity or pleasing large audiences. The Ex organise their own concerts, have their own record label and play with just as much fervour in a hall with three thousand people as in a tiny squat. With this rather un-American style, the band has managed to survive for many years in a music industry that is mainly concerned with sales figures.