Nick Hughes

参加作品

100 Days
Director of Photography
The film centers on a pair of young lovers; Bapiste is more than ready to have sex with his girlfriend Josette, but she refuses, arguing that when they are married they can have all the sex they would like. Meanwhile, powerful Hutu leaders have had enough of Tutsi rebels and call on all Hutus to kill their Tutsi neighbors. As chaos breaks out, the Tutsis flee and the lovers are separated. Josette and her family find solace in a Catholic church run by a sadistic priest. The Catholic Church, the state, and the French army look the other way as bloodshed ensues. Josette is taken as a "wife" by the priest and repeatedly raped. When the Belgian army sent in to protect the church is called away on an emergency, the Hutus attack and massacre hundreds of women and children. Josette miraculously survives, but she is only a husk of the woman that she was. As the Tutsis regroup, they exact terrible revenge.
100 Days
Writer
The film centers on a pair of young lovers; Bapiste is more than ready to have sex with his girlfriend Josette, but she refuses, arguing that when they are married they can have all the sex they would like. Meanwhile, powerful Hutu leaders have had enough of Tutsi rebels and call on all Hutus to kill their Tutsi neighbors. As chaos breaks out, the Tutsis flee and the lovers are separated. Josette and her family find solace in a Catholic church run by a sadistic priest. The Catholic Church, the state, and the French army look the other way as bloodshed ensues. Josette is taken as a "wife" by the priest and repeatedly raped. When the Belgian army sent in to protect the church is called away on an emergency, the Hutus attack and massacre hundreds of women and children. Josette miraculously survives, but she is only a husk of the woman that she was. As the Tutsis regroup, they exact terrible revenge.
100 Days
Director
The film centers on a pair of young lovers; Bapiste is more than ready to have sex with his girlfriend Josette, but she refuses, arguing that when they are married they can have all the sex they would like. Meanwhile, powerful Hutu leaders have had enough of Tutsi rebels and call on all Hutus to kill their Tutsi neighbors. As chaos breaks out, the Tutsis flee and the lovers are separated. Josette and her family find solace in a Catholic church run by a sadistic priest. The Catholic Church, the state, and the French army look the other way as bloodshed ensues. Josette is taken as a "wife" by the priest and repeatedly raped. When the Belgian army sent in to protect the church is called away on an emergency, the Hutus attack and massacre hundreds of women and children. Josette miraculously survives, but she is only a husk of the woman that she was. As the Tutsis regroup, they exact terrible revenge.
Written in Blood
Producer
A best selling author finds his horror novels coming to life.
Iseta / The Story Behind The Road Block
Producer
During April 1994, on quiet road in Kigali a group of neighbors in Rwanda were filmed. This was the opening days of the Rwandan Genocide, and even though almost one million people were slaughtered, remarkably there is only one known segment of footage showing any actual killing. This movie is about the extraordinary journey of that evidence as the original photographer returns to Rwanda, revisiting the people and events that he by chance caught on film. As the footage returns to the community, friends and family relive the tragic events as they work with the photographer to identify the victims, and then eventually the killers.
Iseta / The Story Behind The Road Block
Himself
During April 1994, on quiet road in Kigali a group of neighbors in Rwanda were filmed. This was the opening days of the Rwandan Genocide, and even though almost one million people were slaughtered, remarkably there is only one known segment of footage showing any actual killing. This movie is about the extraordinary journey of that evidence as the original photographer returns to Rwanda, revisiting the people and events that he by chance caught on film. As the footage returns to the community, friends and family relive the tragic events as they work with the photographer to identify the victims, and then eventually the killers.