Chris Maybach

環境保護とテロリズムという暴走した思想を持つ若者たちを描く戦慄のサスペンス。アメリカ西部のオレゴン州。環境保護を訴える環境論者の3人が、水力発電のダムの爆破を実行するが犠牲者が出てしまう。それに動揺した女性メンバーをめぐり、新たな惨劇が起こる。エコ・テロリストと化した犯人たちが、凶行の末に辿り着く先とは…

An unlikely friendship forms between 21 year-old Jane and the elderly Sadie after Jane discovers a hidden stash of money inside an object at Sadie's yard sale.

森の中を追跡してくる男たちをかわし、カルト教団のコミューンから脱出した20歳の女性マーサ。唯一の家族である姉のもとを訪ねる彼女だったが、姉夫婦は何も尋ねずに受け入れてくれる。美しい湖のほとりに建つ屋敷で姉夫婦と暮らし始め、安らぎを感じるようになっていくマーサ。だが、徐々にマーシー・メイという名前で呼ばれていたコミューンでの異様な日々の記憶がフラッシュバックしてくる。やがて彼女は、妄想と現実、過去と現在、さらには自分がマーサとマーシー・メイのどちらなのか判別できなくなる。＜サンダンス映画祭監督賞を筆頭に、各国の映画祭で称賛を集めたサスペンス・ドラマ。カルト教団のコミューンから逃走を図った女性が、そこでの異様な体験を思い出すうちに妄想と現実の間をさまよっていく姿を見つめる。主演はテレビドラマ「フルハウス」などのオルセン姉妹の妹であるエリザベス・オルセン。精神的に追い詰められていく主人公を繊細かつリアルに演じ切り、本作で映画デビューしたとは思えぬほどの風格を見せつける。メガホンを取るのは、新鋭ショーン・ダーキン。＞

Many artists use the pain, exhilaration and resolution of private desires to express themselves. Art City: A Ruling Passion focuses on intense personalities who’ve used their art to explore the emotional impact of psychological truths. Everything that Louise Bourgeois creates - whether in marble, fabric or bronze - comes from memory. Michael Ray Charles investigates the marketing of black memorabilia, using early American advertising imagery. Elizabeth Peyton reinvents portraiture, using her friends as subjects, as well as pop culture royalty. Ed Ruscha’s literary landscapes burst from the physical world "right outside the window." The comic spirit of Lari Pittman contrasts with his graphic declarations. In a landmark house, Richmond Burton remembers his dreams to build "psychic fields" of abstraction. The arrays of featureless faces by David Deutsch are stimulated by sub-conscious sensations.

Travelling around the country, Art City: Simplicity takes viewers on a revealing trip into the studios and lives of a group of singular artists. On a desert mesa outside Santa Fe, Richard Tuttle invents his mysterious and marvellously humble forms, made of wire, cardboard, wood. In Taos, Agnes Martin rhythmically repeats extremely simplified images. Near the Santa Monica surf, John Baldessari, aims for successful juxtapositions of photographs and text. In his North Hollywood living room, Robert Williams revels in surreal cartoon imagery. At a cabin in Woodstock, Joan Snyder refines her sensuous art amid a lush forest. Mike Bidlo salutes Duchamp in a SoHo Gallery, while on Sunset Boulevard, Amy Adler reclaims personal history through self-portraits. Through this group of memorable iconoclasts, the creative "act" is there to see and study.

Unlike any art movie you've ever seen, Making it in Manhattan is informed 'entertainment' about the people who make contemporary art. Artists, collectors, and dealers bring to life the art capital of the world, New York, as it plunges into the 21st Century. Presenting a cross-section of artists, the film discusses inspiration, aesthetics, and the meaning of success. With Louise Bourgeois, Brice Marden, Chuck Close, Neil Jenney, Elizabeth Murray, Ashley Bickerton, Gary Simmons, Ursula von Rydingsvard, Rirkrit Tiravanija, St. Clair Cemin, Ivan Karp, Jay Gorney, Matthew Marks, Jerry Saltz, Herb & Dorothy Vogel, and others. From abstraction to figuration, from installation to conceptual art, from the privacy of the doctor's office to the posh gallery opening, Making it in Manhattan captures the reality of a special world. Music by Tom Waits, Don Braden Ryuichi Sakamoto, George van Eps, Piero Umiliani with Chet Baker.

Eric is a secret agent currently working as security guard for senator Dilly. The senator is the main advocate for a new kind of police officer: the Tracker, a perfect and nearly invulnerable android. When Eric realizes that senator Dilly is playing dirty games, he does not only have Dilly's security chief Ross after him, but also those nearly undefeatable Trackers.

After surviving a sneak attack on himself and fellow agents Jimmy and Gene as they were transporting drug kingpin Raymond Manta out of a Mexican jail, FBI agent Jeff Douglas becomes an uwitting pawn of the White Hand drug cartel. Mistakenly told that his already murdered family is being held hostage, Jeff is forced to turn one-time courier for the White Hand, whose leaders are Manta and four others named Helmut Vitch, Milt Kowalski, Russ LaFleur, and Hansel Lee. After surviving a car-bombing in Las Vegas, Jeff learns the truth about his family being murdered, and he sets out to exterminate the White Hand cartel. Unofficially aided by an agent named Megan, whose mother was raped and murdered years ago, Jeff steals FBI files and begins his campaign of revenge on the White Hand cartel.

スタンリー・キューブリック監督が、G・ハスフォードの原作を基にベトナム戦争の狂気を描く。徴兵された若者が、次第に戦闘マシーンとして人間性を失っていく様を二部構成で描く。 ベトナム戦争の時代、ジェイムズ（愛称ジョーカー）は、サウスカロライナの海兵新兵訓練キャンプ（ブートキャンプ）で、ハートマン軍曹による厳しい訓練を受ける。新兵たちの中で落ちこぼれの「ほほえみデブ」ことレナードは、徹底的なしごきの中で徐々に正気を失っていく…。 新兵訓練を卒業し海兵隊員となったジョーカーは、テト攻勢が始まる中、軍の報道部員としてフエ市街の前線取材を命じられる。だが、交戦の中で小隊長が戦死、分隊長をブービートラップで失う。下士官が指揮を引き継ぎ転進を図るも進路を誤り、今度は狙撃兵の襲撃を受ける。残されたジョーカーは狙撃兵への復讐を図るのだが…。