Camilo Ganado

参加作品

ノートブック -愛するあなたへ-
Post Production Accountant
Battling terminal cancer, a woman writes a one of a kind notebook about life, death and love for her son to remember her by. Based on a true story.
Amazonas
Colorist
Composed by six films about the Amazon rain forest and its inhabitants, the high stakes, and the challenges they face. Each film presents a different perspective on a specific aspect of Amazonian culture.
Amazonas
Post Production Supervisor
Composed by six films about the Amazon rain forest and its inhabitants, the high stakes, and the challenges they face. Each film presents a different perspective on a specific aspect of Amazonian culture.
Violence
Producer
A man in chains, a young man who dreams of being part of something, to become a militant for an armed group who must wield a cruelty in which he may not believe in. The characters, each voluntary or involuntary part of a mechanism that overcomes them, reveal their greatness or misery in the “minimum” tasks that they perform to survive. From that sometimes morbid poetry of the everyday and the irrefutable truth of the details, we see a country whose social body is sick and injured.
Violence
Post-Production Manager
A man in chains, a young man who dreams of being part of something, to become a militant for an armed group who must wield a cruelty in which he may not believe in. The characters, each voluntary or involuntary part of a mechanism that overcomes them, reveal their greatness or misery in the “minimum” tasks that they perform to survive. From that sometimes morbid poetry of the everyday and the irrefutable truth of the details, we see a country whose social body is sick and injured.
Violence
Color Timer
A man in chains, a young man who dreams of being part of something, to become a militant for an armed group who must wield a cruelty in which he may not believe in. The characters, each voluntary or involuntary part of a mechanism that overcomes them, reveal their greatness or misery in the “minimum” tasks that they perform to survive. From that sometimes morbid poetry of the everyday and the irrefutable truth of the details, we see a country whose social body is sick and injured.