Christophe Dumaux

It is a work charged with jealousy and intrigue, with struggles and betrayal: Ariodante, Handel’s first work for the then brand new Theatre Royal in Covent Garden. At that time, the composer was faced with fierce competition, was financially stricken and on the rocks. However, he plucked up his courage while taking the waters and wrote the opera, basing it on Ariosto’s epic poem Orlando furioso. And he composed varied, colourful music, including the intimate aria “Scherza infida”, which is considered one of the special highlights of Handel’s oeuvre to this day.

At Salzburg Festival, Cecilia Bartoli shines as Ariodante with her dazzling coloratura in a highly acclaimed new production by the German director Christoph Loy, who is known for his clever psychological stagings. Loy turns Handel's splendid baroque opera into an exciting and differentiated reflection on gender roles.

In Tamerlano, Handel defied rules both written and tacit—offering a main role to a mature tenor at a time when the castrato voice dominated; and not shying away from shocking scenes that other composers approached hesitantly, like suicide. Pierre Audi’s elegant, minimalist staging allows an all-star cast of singers to highlight the work’s many dramatic elements, proving that Baroque opera can still move and thrill us as it did 300 years ago!

Directed by Uffe Borgwardt. Starring Inger Dam-Jensen, Christophe Dumaux, Andreas Scholl.

David McVicar’s inventive hit production of Handel’s most popular opera sets the story of Caesar’s conquest of Egypt—and of its queen, Cleopatra—in the era of British 19th-century imperialism while also including elements of Baroque theater and Bollywood movies. David Daniels in the title role and Natalie Dessay as Cleopatra lead the cast. Christophe Dumaux is Ptolemy, Cleopatra’s brother, and Alice Coote and Patricia Bardon star as Sesto and Cornelia, son and widow of Caesar’s opponent Pompey. Early music specialist Harry Bicket conducts and plays harpsichord continuo.

"Bartoli remains at her peak. Not only is her coloratura flawless, and her voice as colorful and ravishingly beautiful as ever, but her ability to use her incomparable technique at the service of expression has also deepened with age. As a seductress, Bartoli was irresistible. Teasing out her incomparably agile coloratura runs, she softened high notes to tickle the senses with a mixture of sweetness and delight. When, in the second act, she mounted a missile and diagonally ascended into the heavens, it felt as though she were riding the ultimate pink Cadillac off to her honeymoon rendezvous. And in her final aria, "Da tempeste il legno infranto" when she danced around the stage and adorned herself with strings of lights while flashing the trademark Bartoli smile, it was all one could do to resist running onstage and give her a huge hug."

This is the World Première Recording on DVD of Cavalli’s opera Il Giasone. The plot is loosely based on the story of Jason and the Golden Fleece, but the opera contains many comic elements too. This 2010 production from Antwerp is orchestrated and conducted by the internationally reputed baroque specialist Federico Maria Sardelli. It is directed by the young Frenchwoman Mariame Clément, who is currently making a name for herself with her infectious directing in German and French opera houses. The title role is sung by the promising French countertenor Christophe Dumaux.

A superb adaptation of Purcell's the Indian Queen, staged and directed by Peter Sellars and performed in 2013 at the Teatro Real in Madrid. Peters Sellars combines John Dryden and Robert Howard's libretto with a short-story written by the Nicaraguan writer Rosario Aguilar, La niña blanca y los pájaros sin pies.

Live performance 10 February 2011 at the Palais Garnier. Emmanuelle Haïm conducting Le Concert d'Astrée and les Choeurs de l'Opéra national de Paris. Directed for stage by Laurent Pelly.

David McVicar’s production of Giulio Cesare manages to combine serious insight with entertainment, bringing Handel's masterpiece to life in a powerful, convincing and highly intelligent way. ln every line of the complex narrative the subtle nuances are apparent, reflecting perfectly the transparent and exquisite nature of Handel's musical expression. Filmed in High Definition and recorded in true surround sound, the outstanding singing of the all-star cast, led superbly by Sarah Connolly, and the vivid playing of the Orchestra of the Age of Enlightenment under the energising baton of William Christie reveal the colour and dramatic character of Handel’s music in a most delightful manner.