Producer
現代文明と隔絶しているある南の島。二十数年前、島は暴風と津波が猛威を振るう。嵐が過ぎ去ると、根吉の作っている神田に真っ赤な巨岩が出現していた。島民たちは凶事の原因について話し合い、島の神事を司る根吉が妹ウマと淫らな関係にあるためだと彼らを罰する。そんなある日、東京から技師が開発工事の事前調査に訪れた。しかし、調査はことごとく島民の妨害に遭ってしまう。
Production Manager
Kiroku boards with a Roman Catholic family and falls for the daughter Michiko. He ignores his feelings, joins a gang, gets in fights and, eventually, becomes involved with the radical Kita Ikki group.
Production Manager
Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.
Production Manager
Sadako, cursed by generations before her and neglected by her common-law husband, falls prey to a brutal home intruder. But rather than become a victim, she forges a path to her own awakening.
Production Manager
大正7年に東北の農村で生まれた松木とめは、23歳で製糸工場の女工して働き始めた。しかし地主の本田家へ嫁入りさせられ、出征する俊三に抱かれ妊娠する。娘の信子を出産したとめは本田家を出て製糸工場に戻り係長と関係を結ぶようになるが、会社をクビになってしまう。とめは単身上京し、売春を始める。コールガール組織を作るまでになったとめは、故郷から父親と娘を呼び寄せた。
Production Manager
When a middle aged salaryman is unknowingly used by drug traffickers he is dishonored and fires back at the Yakuza bosses, with destructive consequences.
