Joel Beckerman

参加作品

Tim Richmond: To the Limit
Original Music Composer
Natural. Rock star. Outsider. In the 80s, race car driver Tim Richmond lived his life the way he raced cars – wide open. Born into a wealthy family, Richmond was the antithesis of the Southern, blue-collar, dirt-track racers who dominated NASCAR. He also was a flamboyant showman who basked in the attention of the media and fans – especially female admirers. Nevertheless, it was Richmond’s on-track performances that ended up drawing comparisons to racing legends. And in 1986, when he won seven NASCAR races and finished third in the Winston Cup series points race, some believed he was on the verge of stardom. But soon his freewheeling lifestyle caught up to him. He unexpectedly withdrew from the NASCAR racing circuit, reportedly suffering from double pneumonia. In reality he had AIDS. Richmond returned to the track in 1987, but he was gone from the sport by the next year as his health deteriorated. He spent his final days as a recluse, dying on August 13, 1989, at the age of 34.
Four Days in October
Original Music Composer
When the night of October 16, 2004 came to a merciful end, the Curse of the Bambino was alive and well. The vaunted Yankee lineup, led by A-Rod, Jeter, and Sheffield, had just extended their ALCS lead to three games to none, pounding out 19 runs against their hated rivals. The next night, in Game 4, the Yankees took a 4-3 lead into the bottom of the ninth inning, then turned the game over to Mariano Rivera, the best relief pitcher in postseason history, to secure yet another trip to the World Series. But after a walk and a hard-fought stolen base, the cold October winds of change began to blow. Over four consecutive days and nights, this unlikely group of Red Sox miraculously won four straight games to overcome the inevitability of their destiny. Major League Baseball Productions will produce a film in "real-time" that takes an in-depth look at the 96 hours that brought salvation to Red Sox Nation and made baseball history in the process.
One Night in Vegas
Original Music Composer
On the evening of Sept. 7, 1996, Mike Tyson, the WBC heavyweight champion, attempted to take Bruce Seldon’s WBA title at the MGM Grand in Las Vegas. At this point in his career, Tyson’s fights had become somewhat of a cultural phenomenon, where the ever present hype of the professional boxing scene would come face to face with the worlds of big business, Hollywood, and hip hop. Sitting ringside was controversial rapper Tupac Shakur. Shakur and Tyson were friends, a feeling of kinship linked them as each rose to stardom from poverty only to be thrown in prison. Following Tyson’s victory, Shakur and “Iron Mike” were to celebrate at an after party, but the rap star never arrived. Shakur was brutally gunned down later that night, and the scene in Las Vegas quickly turned from would-be celebratory revelry to ill fated and inopportune tragedy.
The Birth of Big Air
Original Music Composer
In 1985, at the tender age of 13, Mat Hoffman entered into the BMX circuit as an amateur, and by 16 he had risen to the professional level. Throughout his storied career, Hoffman has ignored conventional limitations, instead, focusing his efforts on the purity of the sport and the pursuit of “what’s next.” His motivations stem purely from his own ambitions, and even without endorsements, cameras, fame and fans, Hoffman would still be working to push the boundaries of gravity. Academy Award nominee Spike Jonze and extreme sport fanatic Johnny Knoxville, along with director Jeff Tremaine, will showcase the inner workings and exploits of the man who gave birth to “Big Air.”
Straight Outta L.A.
Original Music Composer
In 1982, Raiders owner Al Davis beat the NFL in court and moved his team from Oakland to Los Angeles. With a squad as colorful as its owner, the Raiders captivated a large number of black and Hispanic fans in L.A. at a time when gang warfare, immigration and the real estate boom were rapidly changing the city. The L.A. Raiders morphed into a worldwide brand as the team’s colors, swagger and anti-establishment ethos became linked with the hip-hop scene that was permeating South Central Los Angeles. Rapper-turned-filmmaker Ice Cube was not only witness to this evolution, he was also a part of it. As a member of the notorious rap group N.W.A, Ice Cube helped make the silver and black culturally significant to a new generation and demographic. Still a die-hard Raiders fan, Cube will explore the unlikely marriage between the NFL’s rebel franchise and America’s glamour city and show how pro football’s outlaw team became the toast of La La Land.
No Crossover: The Trial of Allen Iverson
Original Music Composer
Director Steve James returns to his home town of Hampton, Virginia to tell the story of how the trial of a young basketball star left a city divided.
Winning Time: Reggie Miller vs. The New York Knicks
Original Music Composer
Reggie Miller single-handedly crushed the hearts of Knick fans multiple times. But it was the 1995 Eastern Conference Semifinals that solidified Miller as Public Enemy #1 in New York City. With moments to go in Game 1, and facing a seemingly insurmountable deficit of 105-99, Miller scored eight points in 8.9 seconds to give his Indiana Pacers an astonishing victory. This career-defining performance, combined with his give-and-take with Knicks fan Spike Lee, made Miller and the Knicks a highlight of the 1995 NBA playoffs. Peabody Award-winning director Dan Klores will explore how Miller proudly built his legend as "The Garden's Greatest Villain".
The Band That Wouldn't Die
Original Music Composer
In late March of 1984, a moving company secretly packed up the Baltimore Colts’ belongings and its fleet of vans sneaked off in the darkness of the early morning. Leaving a city of deeply devoted fans in shock and disbelief. What caused owner Robert Irsay to turn his back on a town that was as closely linked to its team as any in the NFL? Academy Award-winning filmmaker Barry Levinson, himself a long-standing Baltimore Colts fanatic, will probe that question in light of the changing relationship of sports to community. Through the eyes of members of the Colts Marching Band, Levinson will illustrate how a fan base copes with losing the team that it loves.