Lee Mun-baek

参加作品

The Continent in Flames
Cinematography
The activities of a group of Korean independence fighters in Mongolia, who try to steal a valuable item from the Japanese Army.
The Great Plain
Director of Photography
During the colonial period, some Korean students give up their studies to fight the Japanese in Manchuria.
Rulers of the Land
Director of Photography
In Manchuria, some a group of Korean guerrillas joins forces with the Chinese Nationalist Army to free some prisoners of war from the Japanese Imperialist Army.
The Great Story of Jang-hwa and Hong-ryeon
Director of Photography
Bae's two daughters, Jang-hwa and Hong-ryeon, are abused to death by their stepmother. But Jang-hwa cannot just go away to the other world. She becomes a ghost, haunting the governor every night to help her take her revenge. The governor orders an investigation. Jang-hwa's stepmother finally confesses what she did and the governor punishes her.
Jang Hui-bin
Director of Photography
King Sukjong exalts a greedy concubine to the status of Bin, which is next to that of the Queen. The new Bin, who is now called Jang Hui-bin, drives out the Queen through a coup and takes her place. But thanks to loyal court officials, the King finds out what has been going on. He demotes Jang to Bin again and reinstates his Queen. Jang, now vindictive, conspires with her mother to kill the queen and reclaim her place. But the conspiracy is brought to light, and Jang is executed.
A Bonanza
Director of Photography
A young sailor arrives in Busan Harbour; an outrageous-looking, woolly bear of a man appears in downtown Busan with a shotgun over one shoulder, a heavy knapsack thrown over the other; a tough-looking young woman joins her friend in robbing a naïve fat man in a suit. The strands of character and story will slowly converge, well after the audience, tuned to the coincidences and mistaken identities of melodrama, has recognised that these three have a shared history and are fated to meet and reconcile.
The Coachman
Director of Photography
A man tries to raise his two sons and two daughters under some of the most adverse conditions known to man. The father operates a horse-drawn cart, but in a city that is modernizing after the destruction of the Korean War, automobiles are making carts obsolete. The children are experiencing difficulties as well. The eldest son has flunked the bar exam twice and is not hopeful of passing it a third time to become a lawyer. The eldest daughter is mute and married to an abusive husband. The younger daughter tries to pose as a rich university student to move up in life. The youngest son has a penchant for petty theft.
Mr. Park
Director of Photography
Mr. Park raises his children by repairing charcoal pits. Although ignorant and stubborn, Mr. Park has a good heart. He is displeased, however, with his eldest daughter, Yong-sun (Jo Mi-ryeong), because of her close relationship with Jae-cheon (Hwang hae), who is a scamp in his eyes. He is also unsatisfied with his second daughter, Myeong-sun (Eom Aeng-ran), for liking Ju-sik (Bang Su-il). Only his eldest son, Yong-beom (Kim Jin-gyu), is the apple of his eye, as he approves of his son's wife, Jeom-rye (Kim Hye-jeong). When Yong-beom is sent to a foreign branch office, Mr. Park is against it at first but approves of it, as he knows what it means for his son's future. Eventually, too, he begins to approve of his two daughters' relationships.