Ruth Maleczech

Nick cannot stop obsessing over his ex-girlfriend, Tris, until Tris' friend Norah suddenly shows interest in him at a club. Thus begins an odd night filled with ups and downs as the two keep running into Tris and her new boyfriend while searching for Norah's drunken friend, Caroline, with help from Nick's band mates. As the night winds down, the two have to figure out what they want from each other.

A compilation of animator Bill Plympton's classic shorts, including "Your Face", "How to Kiss", "One of Those Days", "25 Ways to Quit Smoking", "Plymptoons", "Nosehair" and "How to Make Love to a Woman". In between, an animated version of Bill answers questions about his life and career.

住み込みのメイドとして働く少女アビゲイルは主人ジョンとの情事に身を任せる。その関係をしったジョンの妻、エリザベスは、二人を引き離すべく、アビゲイルを解雇。だが、アビゲイルは性の快楽に目覚め、再び関係を迫るが、自分の家族を大切に思うジョンにとって、二人の関係は一夜限りのものにすぎなかった。やがて、アビゲイルは愛する男を取り戻すために、邪魔者エリザベスを陥れようと町中を巻き込んで、ある恐ろしい行動に出るのだった・・・。

1967年、マンハッタン。仲良しだった四人組は、いたずらをきっかけに少年院に送られてしまった。そこで看守から受ける、想像を越えた虐待の数々。そして、出所してから十年後。四人のうちのジョンとトミーは、偶然出会った看守のノークスを銃殺した......。

With deadpan comedy and rich black and white imagery, STATUARY parallels the stories of a reclusive statuary yard keeper (played by the late great theatre artist Ruth Maleczech) and a college grad looking for meaningful paying work.

A ten year old girl named Angela leads her six year old sister, Ellie, through various regimens of 'purification' in an attempt to rid themselves of their evil, which she believes to be the cause of their mother's mental illness. Precocious, to say the least, Angela has visions of Lucifer coming to take her and her sister away, and one of her remedies for this is for them to remain within a circle of their dolls and toys until they see a vision of the virgin Mary come to them. But such thinking can only lead to an ending befitting of her own mental state.

Two sisters share a disturbing family secret.

The Walter Mitty-esque tale of a Brooklyn dental hygienist who escapes into a painting by 17th-century Dutch master Peter de Hooc. The film was nominated for an Oscar for Best Live Action Short Film.

Based on a true story, this is the tale of Josephine Monaghan, a young woman of the mid-19th century who is thrown out of her parents' home after being seduced by the family's portrait photographer and giving birth to an illegitimate child. Josephine quickly learns that young, female, pretty, and alone are a bad combination for life in the wild west. In her desperation to survive, Josephine disguises herself as "Jo", a young man, and struggles to make a life for herself in a dingy frontier mining town. Can "Little Jo" live and love without revealing his/her secret?

A Polish immigrant go-go dancer dreams of Hollywood. A man living in his car dreams of redemption. They meet. A comical, at times brutal look at the American dream.

An aspiring young filmmaker gets involved with an eccentric gangster for the financing of his first film.

This short film shot in Iceland and New York, which is based on a thirteenth-century Icelandic Laxdeala Saga, features Tilda Swinton as a young woman whose dreams foretell the future.

Czech refugee Krystyna travels to New York in search of her actress idol and fellow expatriate, Anna. After her own arrival in the Big Apple, Anna finds that celebrity often doesn't travel well, and she must go through a battery of humiliating auditions to try and get work in her adopted land. But when Krystyna and Anna finally meet, they provide a support structure for each other.

The Android Sisters sing about the alarming increase in U.S. defense spending during the cold war and its effect on various aspects of the domestic economy.

A rash of bizarre murders in New York City seems to point to a group of grotesquely deformed vagrants living in the sewers. A courageous policeman, a photo journalist and his girlfriend, and a nutty bum, who seems to know a lot about the creatures, band together to try and determine what the creatures are and how to stop them.

FAR FROM POLAND is probably the first American non-fiction film (Godmilow calls it a "drama-tary") to explode cinema verite's mythic claim to be the only trustworthy mode of representation for discussing the real world, and in particular, social and political issues, on film. Refused a visa to travel to Poland, "Jillski" (her Polish nickname in the film) has to literally re-invent the documentary to deal with the Polish situation and she does so with a particular eye to deconstructing not only documentary's specific claims to objectivity, but also the bourgeois audience's desire to sit comfortably in their seats, feel compassion, feel themselves part of the solution (not part of the problem) by having felt compassion for the poor oppressed Poles, who, Godmilow would argue, are far more acutely aware of their situation and what forces oppress them than the liberal American folk in the movie house.

Adaptation of an avant-garde play about Rhoda, a hysterical heroine who feels oppressed by the people around her. She suffers through her birthday party, goes to see a doctor, plans a vacation, argues a lot and even breaks the fourth wall.