Monona Wali

出生 : 1955-08-03, Benares, India

略歴

Monona Wali is a short story writer and novelist, and an award-winning documentary filmmaker and screenwriter. Her stories have been published in The Santa Monica Review, Stone Canoe, Tiferet, Catamaran, A Journal of South Asian American Literature and other literary journals. She was born in Benares, India, and immigrated to the United States with her family as a young child. She has two grown daughters, Kanchan and Maya Wali-Richardson. She lives in Los Angeles, California, and teaches creative writing at Santa Monica College and volunteers with InsideOut Writers, an organization that offers writing classes for incarcerated youth.

参加作品

Maria's Story
Maria's Story
Editor
It is El Salvador, 1989, three years before the end of a brutal civil war that took 75,000 lives. Maria Serrano, wife, mother, and guerrilla leader is on the front lines of the battle for her people and her country. With unprecedented access to FMLN guerrilla camps, the filmmakers dramatically chronicle Maria's daily life in the war.
Maria's Story
Maria's Story
Director
It is El Salvador, 1989, three years before the end of a brutal civil war that took 75,000 lives. Maria Serrano, wife, mother, and guerrilla leader is on the front lines of the battle for her people and her country. With unprecedented access to FMLN guerrilla camps, the filmmakers dramatically chronicle Maria's daily life in the war.
レポマン
レポマン
Nurse
A down and out young punk gets a job working with a seasoned repo man, but what awaits him in his new career is a series of outlandish adventures revolving around aliens, the CIA, and a most wanted '64 Chevy.
Grey Area
Grey Area
Writer
The dilapidated former house/headquarters of South Central LA's Black Panthers is at the center of a clash between radical ideals of the past, and 1980s Buppie efforts to use white-owned platforms (banks, media) to uplift the community.
Grey Area
Grey Area
Director
The dilapidated former house/headquarters of South Central LA's Black Panthers is at the center of a clash between radical ideals of the past, and 1980s Buppie efforts to use white-owned platforms (banks, media) to uplift the community.