Young Tunisian Hedi lives an ordered life in which he believes there can be no more surprises. His future will play out as other people have planned, until he meets a young woman named Rim at a hotel in Mahdia Hediand. An ostensibly personal story broadens into a panorama of a society in upheaval, an allegory about breaking away from traditions. And a film about the happiness and pain of freedom.
Young Tunisian Hedi lives an ordered life in which he believes there can be no more surprises. His future will play out as other people have planned, until he meets a young woman named Rim at a hotel in Mahdia Hediand. An ostensibly personal story broadens into a panorama of a society in upheaval, an allegory about breaking away from traditions. And a film about the happiness and pain of freedom.
After the accidental death of her taxi-driver husband, Selma decides to become master of her own life by taking over his taxi. She comes up against the Kafkaesque procedures of Tunisian bureaucracy and the offhandedness of the insurance industry, but refuses to let go and is not intimidated by anything. With quiet determination, she also faces the conservatism of her in-laws who, under the pretext of morality, continue to dictate the way she should behave. In order to create a better future for her daughter but also for herself, Selma is locked in a daily struggle with the world around her.
After the accidental death of her taxi-driver husband, Selma decides to become master of her own life by taking over his taxi. She comes up against the Kafkaesque procedures of Tunisian bureaucracy and the offhandedness of the insurance industry, but refuses to let go and is not intimidated by anything. With quiet determination, she also faces the conservatism of her in-laws who, under the pretext of morality, continue to dictate the way she should behave. In order to create a better future for her daughter but also for herself, Selma is locked in a daily struggle with the world around her.