Executive Producer
"We should start with a correspondence, maybe we will not correspond to one another. Ebrahim can send me a letter this Friday, and I'll answer him next Friday. So, see you Friday, Robinson!" And so, Jean-Luc Godard stages himself in his daily thought, wisely desperate, and sends images and words from Switzerland to the other side of the Channel. In his mansion in Sussex, Ebrahim Golestan tries to decode these UFO-messages and skilfully seeks to bring them back to the appearance of reason. And so on, until the day a veil falls over the two Gods on the run. Does the existence of poets still have any meaning in these times of distress?
Editor
Jean-Luc Godard returns with a bracing, beautiful and confrontational essay film. Splicing together classic film clips and newsreel footage, often stretched, saturated and distorted almost beyond recognition, The Image Book interrogates our relationship with film, culture and global politics.
Director
Live montage, originally conceived for the Picasso.mania exhibition at the Grand Palais, with the collaboration of Diana Widmaier-Picasso. Originally shown as three-screen montage.
Assistant Director
"It's a simple subject. A married woman and a single man meet. They love each other, fight, blows rain down. A dog wanders between town and countryside. Seasons pass. The man and woman get back together. The dog comes between them. The other is in one of them. One of them is in the other. And then there are three people. The ex-husband makes everything explode. A second film begins. The same as the first. And yet, not. From the human species, we move on to metaphor. It will end in barking. And a baby's cries." -JLG
Thirteen European directors explore the theme of Sarajevo; what this city has represented in European history over the past hundred years, and what Sarajevo stands for today in Europe. These eminent filmmakers of different generations and origins offer exceptional singular styles and visions.
Production Manager
This way-offbeat comedy from Gallic director Jeanne Labrune concerns two young French women, best friends Léa and Jacinthe. While Jacinthe develops a fixation with the moths that begin to cluster in frightening quantities throughout her apartment, Léa finds herself drawn to a dim-witted fellow employed by a local supermarket, then impulsively decides to follow him home via train. When Léa mysteriously disappears during the days that follow, Jacinthe naturally grows concerned about her friend and decides to investigate.
Production Manager
An unexpected phone call from a certain Kirsch sets off a crisis between Catherine and Raphaël that will affect all those around them, be they close friends or casual acquaintances.
Producer
An elderly couple and a younger man and woman follow up failed seduction attempts with conversation about love and the meaning of life.
