Robert Vaab

This is a story of two old folks, who have spent most of their lives behind prison walls. Now, as seventy year old men, they have been granted amnesty. Both men have a passionate desire to change their lives according to certain plans.

Russia in 2000. The end of the post-Soviet era. The province of Ivanovo. The Mironovich family keeps a wake: their youngest son Andrej died in the war. His older brother Anton meets Andrej's last wish: He drives his motorcycle through the city at sunrise. Meanwhile, in love with Anton Vika is raped after the disco. Her mother commits a senseless murder at home. There are no guilty parties.

1942年ソ連。ドイツ軍はスターリングラードを目指して猛攻を開始する。ソ連軍の将校オガルコフ中尉は、参謀本部に攻撃態勢の再編を行なうよう伝達を命じられたが、ドイツ軍の予想外の進撃の速さに指令を伝えられず、部隊が壊滅してしまう。参謀本部は中尉に責任があるとして銃殺を宣告、独房に収容した中尉の監視をズラバエブ兵卒に命じる。だが、やがて参謀本部も戦場と化し、ズラバエブは中尉を連れて脱出する。

A modern take on the classic novel by Alexander Pushkin. Vladimir is a successful banker and a regular at trendy night clubs. Masha is a diligent graduate of a British college and a loving daughter. It looks like they have bright future ahead. However, an unexpected quarrel between two eccentric fathers forces their offspring to live through the conflict of Pushkin's novel.

'1210' is a shrilly story of a 'small person' seeking justice from the state. All his attempts are bound to fail. He's a superfluous nasty old spot, rejected even by his own family. Going mad is probably the only way out for a totally forgotten war veteran, burgled and miserable. It still remains a question, however, whether the 'crazy' man is really so in our 'normal' world, or it's the world itself which turned crazy from its own indifference. Knocked down by despair, the man resorts to committing a horrible deed. A deed unlikely to be pardoned...

In the second feature film by Russian director Vasily Sigarev, fate brings ordeals to characters that find themselves immersed in deep crisis; they must seek the strength to cope with adversity. In a remote and cold region of Russia, Galya, a middle-aged woman with a drinking problem, has been separated from her twin daughters and she wants them back. On the other hand, Grishka and Anton are a young couple who decide to get married, but right after the wedding their relationship is put to the test in a brutal way. While Artyom longs to see his missing father, but his mother objects. There is only one element that brings all of these characters together: misfortune.

Before leaving Russia and moving to Western Europe, famous opera singer Lyuba travels to her hometown to say goodbye and show her teenage son around. But Andrey, Lyuba’s son, disappears and she must stay in the place she hates the most to search for him. A piercing exploration of identity and transformation, against the backdrop of a Russian hinterland, surrounded by Orthodox churches and snow.

Former criminal Sergei meets Vera - an elderly unhappy woman who lives in a dormitory. After Sergei commits another crime, they run together and along the way they accidentally get into a zone contaminated by radiation. Sergei decides to stay there, but Vera does not leave him. At that moment three looters come to the territory.

Inspired by Flaubert’s Madame Bovary, Sokurov’s Save and Protect recalls the most crucial events of Emma’s decline and fall: affairs with the aristocratic Rodolphe and the student Leon, the humiliation that follows her husband’s botching of the operation on the stable boy’s clubfoot. The universality of the theme of eternal struggle between the soul and the flesh is conveyed through the absence of specific reference to time or place: although the film seems to begin in 1840, its surreal mode effortlessly accommodates an automobile and the strains of “When the Saints Go Marching In” on an off-screen radio. Focusing on passion from a woman’s perspective and downplaying plot, Sokurov explores his subject in exquisite detail, capturing not only the heat of passion but also the quiet moments before and after and the innocent sensuousness of the body.