Marcus Griffiths

出口のない真っ白な立方体の中で目覚めた男女3人。謎の声が空間内に響き、答えられない難解な質問が繰り返される。一体誰が、何のために…。なぜ、ここにいるのか…。床を流れる電流。充満するガス。天井から流れ落ちる酸。次々と繰り出される“死の仕掛け”。生き残るには、謎の声が繰り返す問いの答えを導き出すしかない。自らの頭脳と想像力だけが頼りの、究極のサバイバルが始まる！

King Lear has ruled for many years. As age begins to overtake him, he decides to divide his kingdom amongst his children, living out his days without the burden of power. Misjudging his children’s loyalty and finding himself alone in the wilderness, he is left to confront the mistakes of a life that has brought him to this point. Antony Sher plays King Lear, one of the greatest parts written by Shakespeare in this, one of Shakespeare’s most epic and powerful plays.

Hamlet has the world at his feet. Young, wealthy and living a hedonistic life studying abroad. Then word reaches him that his father is dead. Returning home he finds his world is utterly changed, his certainties smashed and his home a foreign land. Struggling to understand his place in a new world order he faces a stark choice. Submit, or rage against the injustice of his new reality. Simon Godwin (The Two Gentlemen of Verona 2014) directs Paapa Essiedu as Hamlet in Shakespeare's searing tragedy. As relevant today as when it was written, Hamlet confronts each of us with the mirror of our own mortality in an imperfect world. Hamlet played in the Royal Shakespeare Theatre, Stratford-upon-Avon until throughout summer 2016.

A group of privileged students spend a night patrolling the prestigious Dhoultham school. However, it soon turns into the worst night of their lives as they face off against burglars, supernatural spirits and a deeper, darker evil. Directed by Russell England.

A monarch ordained by God to lead his people. But he is also a man of very human weakness. A man whose vanity threatens to divide the great houses of England and drag his people into a dynastic civil war that will last 100 years.

Much Ado About Nothing is a comedic play by William Shakespeare thought to have been written in 1598 and 1599, as Shakespeare was approaching the middle of his career. The play was included in the First Folio, published in 1623. Much Ado About Nothing is generally considered one of Shakespeare’s best comedies, because it combines elements of robust hilarity with more serious meditations on honor, shame, and court politics. Like As You Like It and Twelfth Night, Much Ado About Nothing, though interspersed with darker concerns, is a joyful comedy that ends with multiple marriages and no deaths. Also known as "Globe on Screen: Much Ado About Nothing".