Ektoras Kaloudis

A minefield by the Evros River. The border. A platoon of sappers are struggling to clear it. Yannis is among them. Gangs transfer immigrants and refugees across the border-river. Sometimes the minefield breaks its dark silence. Chryssa, who takes the children across, will stumble on Yannis. Challenging death is their common fate. She will be lost. Yannis will stay behind trying to understand what love is, through a miracle.

At a Greek hotel in the off-season, a chambermaid, a man obsessed with BMW cars, and a photo-store clerk attempt to film and photograph various badly re-enacted struggles between a man and a woman.

During a strange night, a prostitute, an opera singer, a fortune teller, a travel agent, a police chief and an insomniac meet by chance.

Djam, a Greek girl, is sent to Istanbul on a mission to find a motor-boat part of her uncle

O businessman Michael Syrianos, convicted for economic crimes, is released suddenly. He maintains that he is innocent. He proposes to the prosecutor Dimitriou who recommended his conviction, to reopen the case in exchange for leading him to SECRET NOVEMBER, organization assassinated predecessor prosecutor. The prosecutor is obliged to cooperate with the interweaving and interlocking. But as the investigation proceeds the more annoying it is for some. Where it does not pay the bribe, terrorism act. The Syrianos while raising economic demands by the group VOX, where he was CEO. The cycle opens.

This highly acclaimed drama from Greek writer/director Sotiris Goritsas, inspired by the Sotiris Dimitriou short story, represented Greece as an official selection for the 1994 Cannes Film Festival Directors' Fortnight. It concerns two young Greek men seeking refuge in Albania. Thomas (Vassilis Eleftheriadis) and Achilleas (Ierassimos Skiadaeressis) make an illegal late-night run at the Greek border, joined by young Nikos (Antonis Manolas), a child whose mother had been killed by Albanian guards. Returning to Athens, they find that the land they had missed and dreamed of so often has changed, refusing to accept the returning refugees or even see them as Greek -- the locals refer to the trio as "Albanians" throughout the film. Demoralized and disillusioned, Thomas is accidentally killed while working at a building site to make ends meet, and Achilleas and Nikos decide to return to their Albanian village rather than stay in an Athens, which clearly has no place for them anymore.

In a dystopian society after an unexpected epidemic citizens can't have dreams. Only few people are privillaged to dream. They operate small underground companies where they can have other people dreams.