Aleksandra Kurzak

略歴

Already at the age of seven, Aleskandra Kurzak began her musical education with violin and piano lessons. She studied vocal arts at the Musikhochschule Breslau, later at the University of Music and Theatre in Hamburg, where she was at the same time member of the Opernstudio of the Hamburgische Staatsoper. At the age of 21, still a student, the winner of numerous international competitions debuted as Susanna in Le nozze di Figaro. Between 2004 and 2007 she was member of the ensemble of the Hamburgische Staatsoper. At the age of 27 she made her debut at the Met as Olympia in Les Contes d’Hoffmann and at the ROH Covent Garden as Aspasia in Mitridate. In 2010 she debuted at Teatro alla Scala as Gilda in Rigoletto. Her repertoire includes roles such as Fiordiligi (Così fan tutte), Maria Stuarda, Donna Fiorilla (Il turco in Italia), Donna Anna (Don Giovanni), Nedda (Pagliacci), Susanna (Le nozze di Figaro), Marzelline (Fidelio), Nannetta (Falstaff), Gilda, Adele, Gretel (Hänsel und Gretel), Musetta (La Bohème), Marie (La fille du régiment), Norina (Don Pasquale), Adina (L’elisir d’amore), Violetta (La traviata), Rosina, Lucia di Lammermoor. She made her debut at the Wiener Staatsoper in 2008 as Rosina and sang also Adina, Susanna, Marie, Gilda and Violetta.   http://www.wiener-staatsoper.at/Content.Node/home/kuenstler/saengerinnen/Kurzak.en.php

参加作品

Metropolitan Opera At Home Gala
In its most ambitious effort yet to bring the joy and artistry of opera to audiences everywhere during the Met’s closure, the company presented an unprecedented virtual At-Home Gala, featuring more than 40 leading artists performing in a live stream from their homes all around the world.
La Traviata - Arena di Verona
Violetta Valéry
Arena di Verona Opera Festival 2019 starts with La Traviata in the new stage design signed by Franco Zeffirelli, the last great Master of Italian direction. The new production takes the form of the ultimate synthesis of his aesthetic thoughts on Traviata.
The Metropolitan Opera: Carmen
Micaëla
Mezzo-soprano Clémentine Margaine reprises her remarkable portrayal of opera’s ultimate seductress, a triumph in her 2017 debut performances, with impassioned tenors Yonghoon Lee and Roberto Alagna as her lover, Don José. Omer Meir Wellber and Louis Langrée share conducting duties for Sir Richard Eyre’s powerful production, a Met favorite since its 2009 premiere.
Rigoletto
Gilda
An outsider—a hunchbacked jester—struggles to balance the dueling elements of beauty and evil that exist in his life.
Bizet: Carmen
Micaëla
With a devilish sway of the hips and a hint of Andalusian flair, Carmen, the beautiful cigar-maker sets her sights on a soldier: Don José. Fate will do the rest. Composed to a libretto by Meilhac and Halévy based on Prosper Mérimée’s novella, the opera exploded the boundaries between tragedy and comedy with a modernity that caused a scandal at the time. Can we kill the one we love with love? The fiery beauty of Bizet’s music, where one unforgettable aria follows another, has worked year in, year out to make it the world’s most performed opera.
San Francisco Opera: Verdi's Rigoletto
Gilda
One of opera's most vivid and compelling characters, a vengeful court jester, desperately tries to protect his daughter from disaster in this heart-wrenching tragedy. The first of two world-class casts led by Music Director Nicola Luisotti stars Željko Lučić, "whose vocal artistry is exceptional" (The New York Times); Aleksandra Kurzak, "a superstar in the making" (The Guardian, London); and, as the lecherous Duke, Francesco Demuro, "whose open, bright, superbly focused tone was reminiscent of Pavarotti" (Opera News).
Verdi: Otello (Wiener Staatsoper Live)
Desdemona
Production of Verdi's opera Otello, performed and streamed on March 18, 2018.
CAVALLERIA RUSTICANA / PAGLIACCI ROYAL OPERA HOUSE 2019/20
Nedda