Writer
Joey was at the age of twenty-two and she was an independent and cheerful girl. She worked in an advertising company and she met a boy named Chiu Kwok Chiao who had just returned from America. Chiu was at the age of twenty-four. He seemed childish, when he met Joey, he fell a victim to her beauty. After a period of time they were in a low spirit because Joey was more intelligent than Chiu. Lui Lai Ho was Joey's mother and she was forty years old.
Director
Joey was at the age of twenty-two and she was an independent and cheerful girl. She worked in an advertising company and she met a boy named Chiu Kwok Chiao who had just returned from America. Chiu was at the age of twenty-four. He seemed childish, when he met Joey, he fell a victim to her beauty. After a period of time they were in a low spirit because Joey was more intelligent than Chiu. Lui Lai Ho was Joey's mother and she was forty years old.
Screenplay
Wong Yan Tung, a doctor with a fear of fire and recurring nightmares of being cremated alive, is dedicated to fighting his colleagues' ignorance about the nature of clinical death. Prostitute Kam Kuk, Wong's childhood friend, attempts suicide several times and they inevitably reconnect during her short hospital stays, while Wong's girlfriend suffers from mysterious and sudden bouts of numbness in her arm.
Screenplay
Mok Ka Bo is a young lad with a few problems. He's just cut loose from a relationship with Fung, a violent lad who can't accept being dumped and wants him back. Ka Bo takes after pretty schoolgirl Margaret, who is apparently a top student and quite respectable, but has a poor and unhappy home life. Ka Bo also has a difficult relationship with his mum, a middle-aged hooker whose use-by date has arrived.
Screenplay
Ling's parents has been separated when she was small, however, she always miss her brother, Ding. Ling's boyfriend is a social worker. One day, he sees a youngster who looks like Ling's brother and loves drinking cream soda and milk. Nevertheless, Ding doesn't want to meet his sister..
Hua Gu
FAIRY, GHOST, VIXEN (1965) consists of three fanciful tales that may be loosely classified as ghost stories, but they're presented and designed more along the lines of traditional fairy tales. They're beautifully staged and photographed and have a timeless quality about them with a moral at the end of each.
Student
Adapted from one of China's most well-known fairy tales, the Goddess of Mount Hua falls in love with a young mortal scholar Liu Yanchang and gives birth to a baby son, Chenxiang. When Chenxiang grows up, he seeks to unravel the mystery surrounding his mother whom he has never met.