Michel Vionnet

Nakaura of Julian (Julião Nakaura), a priest of the Society of Jesus, was one of four young ambassadors sent to Rome by the Jesuits in 1538, as proof that Japan had converted to Christianity. Fifty years after the mission, which so fascinated European royalty, Julian was forced again to prove his faith, only this time before a Shogun, who wanted to force him to abandon his religion. Julian resists, as does Miguel Chijiwa, a fellow at the embassy to Rome, who become a martyr. Betrayed by Cristóvão Ferreira, who cannot bear the torture, Julian suffers an inglorious death ... or maybe not.

外国人違法労働者の売買をする父を助けながら、１５歳のイゴールは自動車修理工場で働いていた。そんなある日、労働者の一人アミドゥが事故を起こす。父は警察に不法労働が知られるのを恐れて、アミドゥを病院へ連れて行かなかった。そのため、アミドゥはイゴールに妻と子供のことを頼んで亡くなってしまった。父はイゴールに手伝わせて死体を埋め、アミドゥの妻アシタに嘘をついたが……。

Evocation of the ruthless war which opposed from 1890 to 1894 the French colonial army to the young Ahydjere Behanzin, king and living god of Dahomey, who ended in his surrender and his exile.

A young Parisian must make major decisions about pregnancy, a job and her boyfriend.

A look at the last few days of in the life of composer Frédéric Chopin's professional life.

A French family is shown as they go through the daily routines of life. Arguing, feasting, crying, and yearning for love are just some of the human emotions encountered. The mood wavers between excessive noise to silence while those not participating in the conversations eavesdrop.

Claude Lanzmann directed this 9½ hour documentary on the Holocaust without using a single frame of archive footage. He interviews survivors, witnesses, and ex-Nazis (whom he had to film secretly since they only agreed to be interviewed by audio). His style of interviewing, by asking for the most minute details, is effective at adding up these details to give a horrifying portrait of the events of Nazi genocide. He also shows, or rather lets some of his subjects show, that the anti-Semitism that caused 6 million Jews to die in the Holocaust is still alive and well in many people who still live in Germany, Poland, and elsewhere.

Claude Lanzmann directed this 9½ hour documentary on the Holocaust without using a single frame of archive footage. He interviews survivors, witnesses, and ex-Nazis (whom he had to film secretly since they only agreed to be interviewed by audio). His style of interviewing, by asking for the most minute details, is effective at adding up these details to give a horrifying portrait of the events of Nazi genocide. He also shows, or rather lets some of his subjects show, that the anti-Semitism that caused 6 million Jews to die in the Holocaust is still alive and well in many people who still live in Germany, Poland, and elsewhere.

Ernesto, a seven-year-old boy who has the body of a thirty-year-old man, decides, upon attending his first day of school, that he no longer wishes to attend, because he does not wish to be taught matters that he does not know.

Henri is a lonely, isolated young man who lets no one get close to him. He meets a street hustler and comes out of his shell, going 180 degrees into gay obsession. Though he has yet to physically approach the object of his affection, Henri builds up so much unrequited lust that it explodes with horrible results.

A man and his sister meet at a seaside village to discuss their relationship.

Marie is nineteen and bored in her little suburban life with no future. In a café, she meets the charismatic and beautiful Gerard. Blinded by adoration, Mary decides to leave her parents and her clerk job to live with the man she considers as the love of her life. But Gerard is a pimp, who soon forces her into prostitution. From within homes to out on the streets, the young woman gradually discovers a world of decay and violence.

Who is Milena whose arrival is announced to Sophie and Nicolas by postcard? The train from Prague brings for three weeks, the time of a visa, this young Czech and his bag stuffed with forbidden texts, marginal films and music. She will strive to make them known with the help of her new friends.

Each night in Paris, hundreds of men and women anonymously use telephone lines that date from the German Occupation and are no longer listed to talk to each other, to love each other. These people, shipwrecked lovers, are dying to love, to escape the abyss of solitude.

Roberte, 40, resistant during the war, Calvinist and anticlerical, is deputy to the chamber and inspector of Censorship. She married Octave, an old Catholic aesthete, professor of canon law, whom she saves from impeachment for collaboration during the war. He submits his wife to a perverse custom: the laws of hospitality or prostitution of the wife by the husband.

Based on the letters of a fictitious poetess to her lover. Duras reads extracts from these letters, as the film shows a boat journey down the Seine, past familiar bridges and landmarks. – BFI

In this most talky and personal of films, director Marguerite Duras and actor Gerard Depardieu do an on-camera read-through of a movie script. Occasionally, the director comments about the characters or their motivations, and sometimes the actor does. That's all -- there is no action, there are no location shots, no one pretends to be anything else. The script itself tells about an encounter between a blank-slate of a woman hitchhiker, and a communist truck driver. As the reading progresses, Duras comments bitterly about the failed ideals of communism and the glorious revolution that will probably never happen.

The full soundtrack to Marguerite Duras' 1975 film India Song, about a French ambassador's wife in 1930s India, is here repurposed with all new cinematography. As we hear all the dialogue of a bygone movie, we travel visually through images of absence and decay, bereft of life. It's the ghost of a film, and a further commentary on colonialism.

India, 1937. Anne-Marie Stretter is the wife of the French ambassador and leads a solitary yet privileged life in Calcutta. The tedium of her existence is relieved by numerous illicit love affairs with government officials, young men who find her an object of desire and fascination. The Vice Consul is driven insane by his love for her and, expelled from the ambassador’s palace, cries like a sick animal. Life continues for Anne-Marie Stretter, the same tedious existence…

In Louis Malle's lauded drama, Lucien Lacombe is a young man living in rural France during World War II who seeks to join the French Resistance. When he is rejected due to his youth, the resentful Lucien allies himself with the Nazis and joins the Gallic arm of their Gestapo. Lucien grows to enjoy the power that comes with his position, but his life is complicated when he falls for France Horn, a beautiful young Jewish woman.

A stodgy, married schoolteacher has a chance encounter with a free spirited young woman who loosens him up and introduces him to a hippie lifestyle.

A man witnesses a suicide and starts imagining that it was a murder committed by himself.