Federico Sosa

Federico Sosa

出生 : 1980-06-05,

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Federico Sosa

参加作品

Américo
Writer
Américo
Director
Tomando estado
Producer
Tomando estado
Director
Tomando estado
Writer
Not Quite Adults
Director
Lola, a 30-year-old failed kleptomaniac with a bad temper receives a phone call from Mar del Plata: her father, whom she thought had been dead for years, has just died, and she must travel in order to check on some things related to the inheritance. Along with Teo, her former boyfriend, and his sister Rita, she sets off in Teo's school van. In Mar del Plata, she meets Natalio, her father's partner, and everyone must now travel to Bariloche in order to spread the ashes of the deceased.
Yo sé lo que envenena
Director
Iván's dream is to meet Ricardo Iorio, Chacho's is to succeed as an actor and Rama's is to conquer Lucy. The three are joined by a single passion: metal.
Yo sé lo que envenena
Writer
Iván's dream is to meet Ricardo Iorio, Chacho's is to succeed as an actor and Rama's is to conquer Lucy. The three are joined by a single passion: metal.
Labia
Assistant Director
Along one day, powerful Argentine Federal Judge Alberto Franccioni receives at his house different people from his inner circle asking for advice and council, typing their lives and grouping in power.
Fernando Birri, el utópico andante
Cinematography
Documentary film about Argentinian filmmaker Fernando Birri. An interview: a journey through documentary filmmaking, his childhood, the dawning of New Latin American cinema...
Alma Mater
Assistant Director
34-year-old Pamela is a small and shy woman. She works at the cash register of a supermarket. She attends a religious temple led by a Brazilian minister. She periodically visits her autistic mother. She is an anonymous character, leading a meaningless life. Suddenly, a miracle occurs. Messages of a marvelous destiny start to reach Pamela in unusual ways: a client, a gentle and charismatic transvestite, her own mother, dreams, bar codes, real and imaginary signals. The Savior of the Next Millennium is apparently on his way and everything indicates that she, being a virgin, is carrying him on her entrails. Impelled to face herself, Pamela undertakes an inner voyage. A paradoxical voyage: the more mystic she grows to be, the more human she becomes.