Stefan Tischner

参加作品

さえない私にさようなら
Visual Effects Supervisor
「ファーラウェイ」としても知られる本作の主人公、ゼイネップ・アルティンはもう限界でした。どんなに働いても夫や娘、年老いた父から感謝もされず、そのうえ亡くなった愛する母の遺体に葬儀屋は、彼女のお気に入りのドレスではなく男物のスーツを着せる始末。もう我慢がならないと、ゼイネップはミュンヘンを離れ、母が何年も前に密かに購入したクロアチアの島にあるコテージへと旅立ちます。平穏と静けさを手に入れて再び自分を取り戻そうとするゼイネップ。でもそこには、コテージの元持ち主だった無骨な島民ヨシップがまだ住んでいて...。
Lommbock
Visual Effects Supervisor
Sequel to Lammbock. Stefan and Kai meet again after years. Stefan became a successful lawyer in Dubai while Kai is stuck in their home town. Kai has relationship issues and is trying hard to get in touch with his step son who is getting in serious trouble with some drug dealers. Can Kai and Stefan solve his problems? And what happened to their old friend Frank?
Schweinskopf al dente
Visual Effects Supervisor
Province policeman Franz Eberhofer is in a real trouble. Susi, love of his life has fled to Italy because Franz has crossed the line. And while Grandma and Papa are planning a trip to Italy to liberate Susi from the clutches of her Italian lover, Franz has other problems. His boss has found a bloody pig head in his bed and Franz gets promoted to full time bodyguard.
Almanya: Welcome to Germany
Digital Compositors
After living 45 years in Germany, the Turkish Hüseyin Yilmaz, seventy, announces to his family that he has bought a house in Turkey and they should return to make the necessary reforms. The idea is unwelcome and causes very heated discussions. In addition, Canan, a granddaughter of Hüseyin, announces she is pregnant and the father is her English boyfriend, and no one knew anything.
Killing Is My Business, Honey
VFX Supervisor
A hit man whose mission is to prevent the printing of a tell-all book written by a former Mafioso, falls in love with the employee who may lose her job if the book doesn't get published.
A Woman in Berlin
Digital Compositor
A woman tries to survive the invasion of Berlin by the Soviet troops during the last days of World War II.
The Baader Meinhof Complex
Visual Effects Supervisor
'Der Baader Meinhof Komplex' depicts the political turmoil in the period from 1967 to the bloody "Deutschen Herbst" in 1977. The movie approaches the events based on Stefan Aust's standard work on the Rote Armee Fraktion (RAF). The story centers on the leadership of the self named anti-fascist resistance to state violence: Andreas Baader, Ulrike Meinhof and Gudrun Ensslin.