In the seventh film in the series, in April 1916, a disillusioned Indy hops the ocean to Europe where he figures the Great War might offer him a greater sense of purpose.
The Grass Arena is based on the autobiography of John Healy. Raised in an strongly religious family, with an abusive father, John soon learns that he has to defend himself. Growing into adulthood he takes up boxing, but soon falls victim to alcoholism. His boxing career over, John takes to the Grass Arena (the park) where he lives with other alcoholics. Prison time introduces him to a new and unexpected path.
Needle paints a harrowing picture of a Liverpool overrun by drugs, charting a young man's nightmarish descent into intravenous heroin use and AIDS and a police and political leadership incapable of the imagination or courage necessary to respond to the drug problem.
An RAF ground crew, having committed an offence, is punished to guard all night an who an East Anglian airfield in the depths of winter. Gaining frostbite as a result, he's sent to recuperate in the nearby cottage hospital which is used for aircrew who have mentally cracked under the strain of bombing Berlin.
Times are hard for habitual guest of Her Majesty Norman Stanley Fletcher. The new prison officer, Beale, makes MacKay look soft and what's more, an escape plan is hatching from the cell of prison godfather Grouty and Fletcher wants no part of it.
While on vacation, a woman's husband is taken by the Russian government. After one attempt fails, she begins looking for a suitable spy to capture and trade in exchange for her husband, but she develops an attraction to the one she thinks is a good candidate.
Taking its title from Harold Macmillan's widely-reported Cape Town speech about the process of decolonisation in Africa, The Wind of Change showed the other side of the coin: the impact of colonial immigration at 'home'. The film deals with the 'colour problem' within the context of Teddy boy violence.
