Arrested for the murder of her wealthy businessman father, convicted on false evidence and sentenced to death, Kyoko is determined to prove her innocence.
Freelance reporter “Scoop” Machida is hot on the trail of a prostitution ring called the Black Line, when he is framed for the murder of a young woman. Forced to clear his own name, the handsome journalist sinks deeper into the Black Line’s rotten swamp of drugs, prostitution, and murder and finds unexpected help in Maya, a steamy female gambler familiar with the neon-lit streets, shadowy alleyways, and seedy nightclubs he must navigate. The closest film in the Line series to classic American film noir, Ishii’s Black Line is a pulpy assortment of crime film conventions including the starkly expressionistic black and white cinematography by Jûgyô Yoshida, a jazzy music score by Michiaki Watanabe, and a sleazy screenplay by Ishii and Ichirô Miyagawa.
Tamio takes Itsuko to an art gallery and the two find one painting is a nude portrait of Itsuko's mother, who disappeared twenty years ago when she was just a baby. No one knows the first thing about the artist who painted it, but he goes by the name Shiro Sofue, and he's always wearing shades in the daytime...
軍の機密文書が何者かに盗まれた。波島はそれを田沢の仕業であると断定、田沢は無実にも関わらず自白を強要された末射殺される。だが全ては田沢の妻に目を付けた波島の謀略であった。田沢は亡霊となって甦り、その怨念に悩まされた波島は破滅の道を歩んでいく。
Director Teruo Ishi's crime action follows the investigative adventures of an undercover cop working with a prostitution ring. It's done in an unique documentary style.
The 6th Super Giant film. Although he was believed to be destroyed by the Nazi-like army, Super Giant breaks into the satellite, and a long, riotous battle ensues. (Part 2 of 2)
The 5th Super Giant film. Super Giant pursues a Nazi-like army that operates on a huge satellite in space. The satellite is armed with weapons that could destroy whole cities on Earth from afar. (Part 1 of 2)
