Children who play constantly with their phones now seem to have forgotten to play on the street. At the insistence of new arrivals, children decide to play in the park again to end this course. But there is a problem: Bad Kazim sitting in the house next to the park. What is the secret of the evil Kazim who scares everyone who comes to the park? Will the children be able to take the park back from Kazım?
The neurotic Fikret and tavern singer Solmaz, whose 21 year long relationships end on the same day, meet through a funny coincidence. When Solmaz's daughter Zeynep decides to marry her lover from Adana, the ever-fearful Fikret ends up having to play the role of his life. Intended at first to be kept in the family, the wedding becomes a much bigger event upon the insistence of the groom's relatives. Can our heroes come to terms with the traditional Adana family who carry guns and own a kebab restaurant chain, and see the wedding through without mishaps?
It is a story about a certain tragicomic relationship between an abstract sculpture name 'Chaos'-which finds itself in a fringe suburb-and the people who live there. A considerable portion of the art-themed movies made around the world often takes place in an intellectual atmosphere. These works are hence movies that reflect the theoretical 'high' art debate the elites deal with. Our movie rather depicts the warm relation between a surreal sculpture and those who live in slums and outskirts. In other words, it is the story of understanding and benefiting as much as possible fro 'Chaos' by those who see and render the world through their own dim window, who try to save the day with their ordinary calculations.
Two brothers and a sister: Tahsin (44), Yasin (38) and Remziye (34) have to meet in the city they were born. They realize that they remember their common past differently. The tangled structure of siblinghood is experienced in all its aspects.
