Károly Hadai

参加作品

The Round-Up
Makeup Artist
After the failure of the Kossuth's revolution of 1848, people suspected of supporting the revolution are sent to prison camps. Years later, partisans led by outlaw Sándor Rózsa still run rampant. Although the authorities do not know the identities of the partisans, they round up suspects and try to root them out by any means necessary.
Egy ember, aki nincs
Makeup Designer
New Gilgames
Makeup Artist
The story recalling the spirit of Gilgamesh, the Sumerian king quarrelling with his approaching death, takes place in a cancer hospital in Budapest. Dávid, the young ethnography scientist resigned to his lot and is indifferent to his approaching death. His specialist reckons, however, that such a searching and stubborn mind with thorough knowledge of the nature of his own illness, will be able to fight death.
Well, Young Man?
Makeup Artist
Andris is almost an adolescent boy. He would need the trust and encouragement of his family. But his father is too much preoccupied with his moral problems in his job. He has the choice either to make a fuss about the corruption discovered at the company or he tries to cover it up skilfully.
Tales of a Long Journey
Makeup Artist
On the crowded train, the workers entertain each other by telling stories.
I'll Appeal to the Minister
Makeup Artist
A comedy about the organisation of agricultural co-operatives. In the village of "Rendes", everybody has already entered the co-op, only the stubborn farmer, Bódog Balogh continues to resist. The leadership plays all their tricks and uses all their efforts, but all in vain.
Four Children in the Flood
Makeup Artist
December 1956. The region by the Tisza is evacuated because of a threatening flooding. Laci, Karcsi and Péter leave their home on the lorry
Virrad
Makeup Artist
Pár lépés a határ
Makeup Artist
Which of the Nine?
Makeup Department Head
Istvan Szőts’s short, Christmas-themed film starring József Bihari and Andor Ajtay, based on Mór Jókai’s novel of the same title. The premier of the film was in the Venice Film Festival in 1957, where it received recognition.