Ichirô Amano

Based on a novel by Tsutomu Mizukami, this haunting melodrama focuses on a young bamboo worker who takes his father's prostitute as his wife.

Nishina Saburouta is powerful but corrupted priest. One night, an old samurai who couldn't bear him any more, attempts to kill him, but without success. Saburouta is rescued by his niece, Keisuke at the last moment. Keisuke is a a good-for-nothing. Since that event, he always turns to his uncle when he needs money. Recently Keisuke feels his uncle isn't as generous as he used to be, he suspects that Saburouta has found out the illicit relation between Keisuke and his uncle's young mistress, Ohasu.

The Fencing Master tells the story of a man trying to survive as the only world he knows is becoming increasingly irrelevant. Danpei Ichikawa lives for swordfighting – he was once a renowned kabuki swordfight choreographer, and as the Chairman of the New National Theatre Company, he wants nothing more than to choreograph the swordfights for the modern plays put on by the company.

Satoko is a mistress by trade or fate: when her master, the silkscreen artist of the Kohoan Temple in Kyoto, dies, she is given to the temple's lascivious head priest Kikuchi. She is drawn to a melancholy young acolyte, Jinen, who has observed the profligacy of his cruel master and Satoko's utter dependence on the man. Jinen is both fascinated and disturbed by Satoko's interest in him; he is similarly caught between loathing of Kikuchi and of the dark circumstances of his birth and his own moral weakness. The story unfolds in a dreamlike manner—a flashback inspired by a now-infamous image on a silkscreen in the souvenir shop at the so-called Temple of the Wild Geese.

The sequel to Daibosatsu tôge (1960) and the second of the trilogy follows the adventures of Ryunosuke Tsukue after he is blinded.

A gripping historical drama full of suspense and a mysterious bewitching mood. A puzzle of a turbulent era in which various characters fall into a maelstrom of events - a pretty girl, a strange beggar woman, a charming thief, a clever detective, the famous magistrate Toyama Saemon no jo, they all struggle to unravel this mystery of the white bell, which provoked the sudden disappearance of two beautiful women caught in one place at the same time at midnight.

Film directed by Kenji Misumi.

The film won 1959 Blue Ribbon Awards for best actor Raizo Ichikawa and for best cinematography Kazuo Miyagawa. The film also won 1959 Kinema Junpo Award for best actor Raizo Ichikawa.

During the 1200's, legendary Buddhist monk Nichiren returns from his studies to lead Japan out of moral crisis and prepare to fight Mongol invaders by creating a new form of Buddhism. He runs afoul of the existing Buddhist sects and their government supporters and is persecuted. Can Nichiren persevere before the Mogol fleet reaches Japanese shores?

While transporting a bride-to-be in a closed carriage (kago) while during a thunderstorm, a group of servants and onlookers suddenly come upon an apparition of a ghostly white-draped female figure floating down to the ground. As she turns to face the crowd, the woman reveals the disfigured right side of her face. As the procession stands in utter horror, the ghost then takes flight again and down a side street. After the shock wears off, the bride is checked on and everyone is safe in the group. Once the wedding party finally arrives at the groom's home, they apologize for the delay... and proceed to open the kago, only to realize that the bride-to-be is now missing... and all that's left in the carriage is a single white snake slithering about.

A traditional bar mistress in Kyoto clashes with her Tokyo rival.

A poor peasant, after years of scraping, becomes a rich and powerful Osaka merchant. Mizoguchi Kenji's final project; he died before completing it and directing duties turned over to Yoshimura Kozaburo.

Film adaption by Kenji Misumi

In Kyoto a young kimono maker with traditional ideas gets involved with a married professor.

A kabuki actress is murdered. Her pet cat laps its mistress's blood and becomes a demon possessed by the vengeful murder victim.

森鴎外の同名小説を、八尋不二と依田義賢が共同で脚色し、溝口健二がメガホンをとった文芸作品。特に美術と撮影はレベルが高く、ヴェネチア国際映画祭で銀獅子賞を受賞した。美しいラストシーンは、ゴダールが「気狂いピエロ」において引用したことでも知られる。 　平安時代末期、農民を救うため将軍にたてついた平正氏が左遷された。妻の玉木、娘の安寿と息子の厨子王は越後を旅している途中、人買いにだまされ離ればなれになってしまう。玉木は佐渡に、安寿と厨子王は丹後の山椒大夫に奴隷として売られた。きょうだいはそれから十年もの間、奴隷としての生活を続けるが、ついに意を決して逃げ出すことにする。しかし追っ手に迫られ、安寿は厨子王を逃すため池に身を投げるのだった。

戦国の世、貧しい陶工・源十郎が若狭姫という女性と知り合い、生活をともにするようになる。だが美しい若狭姫の正体は死霊であった。それを知った源十郎は若狭姫を捨てて故郷に逃げるが、彼女の怨念は執拗に追いすがる……。「雨月物語」をベースに、川口松太郎らが脚色。