László Makai

A love story between a young, policeman and a Chinese immigrant girl, who speak no common language.

A tale about an independent-minded university professor who leaves her family to travel across the countryside to visit a friend.

This documentary celebrates the 100th anniversary of the cinema birth. It is an historic running through the technical and artistic evolution of the 7th art. We move from mute to sound, from B&W to color, trough all the genders (musical, Lyric, politic...). Beside it we have a kind of resume of the historic contest in which cinema lived till now, events and movements (neo-realism, classical etc.). All the aspects are taken in consideration: fashion, star system till the end, the sad end, of cinema in the theaters.

The sixteen year old Bea is on her way home from her sports class when a foreign long- vehicle stops by her and she is asked the way. A shove, the banging of the door, and the long-vehicle pulls away with its victim towards the South. Beas abductors rape her and sell her as a prostitute. She tries to escape, keeps leaving marks behind, hoping that her beloved father, Sándor, will find her.

It is 1989, the year of the demise of socialism in eastern Europe. Nevertheless, the one theme of Junk Movie does not refer to this historical moment of high ideals, quite the contrary, the wild, burlesque of a motif-mozaic seems merely to stick it’s tongue out at the arrogant players of politics who have their heads stuck in the clouds. The film rudely points out the mystery and unapproachability surrounding the every-day existence of politics. The scene is a greasy, falling-down block of a pub called the Gólya and its immediate surroundings.

The story shows Emma's and Böbe's fight for survival, for keeping their position in society which they achieved with hard work in the previous regime. They don't want to lose their place and become village girls again.

In pre-WWI Austria-Hungary, a physician struggles with his decision about which woman will he marry.

A man's story parallels Hitler's rise. Austrian Klaus Schneider, wounded in World War I, recovers in the care of Dr. Emil Bettleheim. Bettleheim discovers that Schneider possesses powers of empathy and of clairvoyance, such that could aid suicidal patients. After the war, with one friend as his manager and another as his lover, Schneider changes his name to Eric Jan Hanussen and goes to Berlin, as a hypnotist and clairvoyant performing in halls and theaters. He always speaks the truth, which brings him to the attention of powerful Nazis. He predicts their rise (good propaganda for them) and their violence (not so good). He's in pain and at risk. What is Hanussen's future?

Set during the fading glory of the Austro-Hungarian empire, the film tells of the rise and fall of Alfred Redl, an ambitious young officer who proceeds up the ladder to become head of the Secret Police only to become ensnared in political deception.

A historical drama set in the 1400s, a young man sent to Italy but is forced back after his father's mysterious death.

Dini goes to Sweden illegally and abandons his fiancée, Mari. After several months a young Finnish businessman called Pekka arrives in Budapest, carrying a letter and package from Dini. The sympathetic Pekka is judged by the friends of Mari to be suitable for the task of a nominal marriage, by which Mari could get out legally to Dini.

Irén and Attila, a not-so-young couple, are in love. All they want is a flat of their own where they could live together. Unfortunately, Hungary in the 70s is no place for dreams.

Zsadányi flees from the authorities with his goddaughter, Bankós Mari, and they escape into the forest. The film then skips ahead thirty-fold years: Zsadány and Mari are now lovers, with the sound of war in the background halting their romance. The old friends of Zsadányi have joined with the Nazis, and the landowner living with his peasants in a socialist community grows distant from them. Zsadányi is held responsible for political problems in the country, and will pay with his life.

After the breakup of the Austro-Hungarian Empire, a young Hungarian, wanted by the police for political crimes, escapes to just this side of the Austrian border. When he discovers that his escape contact has been shot, he disguises himself as a woman and, posing as a maid, takes refuge at a tuberculosis sanatorium. He lives there as a woman for the entire winter before resuming his journey in the spring.