Yasar Kartoglu

Entrenched in a midlife crisis, Aziz seeks solace from his mundane job, lonesome friends and rowdy family while pretending to have his act together.

Yakup and Şemsa are Assyrians living in Berlin with their three children and grandchildren. Twenty-five years ago they migrated from Mardin to Berlin. One day they receive a phone call from Mardin. This unexpected call deals with their son Mikhael, whom they lost twenty-five years ago. All the suffering of the family is refreshed. Yakup and Şemsa go to Mardin with their grandchildren, Nardin, who do not want to leave them alone. This trip will be the beginning of all their personal journeys. When the craftsman Yakup, who had not come for years, abandoned his village and saw his house looted; He will go after his house door. On his journey of finding the door, he will be accompanied by her granddaughter Nardin and the smuggler Remzi.

Cenk has just arrived back to Istanbul from the United States. Suppressed love slowly begins to resurface after he encounters Ece, a woman whom he had a romantic relationship with in the past. Suddenly, there is a robbery attempt in a quiet and gloomy house, which results in a crime being committed.

Guner Sernikli is a government official who, with his wife and their wheelchair bound daughter, has been assigned as the head librarian to this isolated province, virtually an exile since there is no library in the village. The family is warmly welcome, but these are the years of political anarchy and leftist/rightist clashes in big cities and the youth of the village inevitably follow the tides. They arrive in Vizontele, just as the situation is becoming really absurd. Guner brings wisdom; his daughter Tuba brings beauty, innocence and love. Some like the Mayor, Nazmi Dogan and crazy Emin appreciate these things but they are in the minority and confusion continues to reign. The story is based on the memories of writer-director Yılmaz Erdoğan of the last summer of his childhood in Hakkâri, Turkey in 1980.