Motoharu Ueki

From an original story by Shibata Renzaburo, the novelist who created such classics as: the "Nemuri Kyoshiro" series (Son of the Black Mass), "Destiny’s Son" etc. comes the complex story exploring the mystery behind why Ino Morimasa betrayed his sworn brother Ishida Mitsunari, thus leading to the defeat of the Toyotomi at the Battle of Sekigahara. Starring Nakamura Kinnosuke in one of the strongest performances of his career as Ino's estranged son seeking justice. Originally known as "The Forbidden Castle".

During the Age Of Wars (Sengoku Era), Tokugawa Ieyasu and Toyotomi Hideyoshi are vying for power and each uses their secret weapons in order to try and defeat the other. Momochi Sandayu of the Iga, along with his disciple Ishikawa Goemon are ordered by Ieyasu to assassinate Hideyoshi and get the blueprints for the hidden fortress within Osaka Castle. Meanwhile the Koga group organizes to try and defend the castle for the peace of the nation. Beating off every trick from Sandayu, Torawakamaru protects the drawing, and when Ieyasu figures out a way to hold a match between Koga and Iga the two masters fight the greatest ninja battle ever held. The effects are truly spectacular in this classic ninja film from Toei.

Based on a 1956 television feature on Japan’s national network, NHK, this is one of Uchida’s rarest films. A socially conscious drama with a contemporary backdrop, Dotanba focuses on the attempts to rescue a group of trapped miners. The title is a figure of speech — (essentially “last minute” or “eleventh hour”) — that refers to a situation of peril. The film boasts a script co-written by Uchida and Akira Kurosawa’s frequent screenwriter, Shinobu Hashimoto, and stars Kurosawa’s frequent star Takashi Shimura.

A humble page fathers a child by the daughter of a clan official and is banished. Years later, the child, now a stable boy, is reunited with his father, but feudal codes threaten their happiness. Uchida’s poignant masterpiece condemns the inflexible class system and launches an indictment of values that favor symbolic objects over human life. The film’s focus is on character rather than swordplay, and charged performances—especially child actor Motoharu Ueki—add to the emotional power.

During a time of war, Lord Ogata is betrayed by two of his closest vassals and killed by his enemy, Sarashina Danjo. Ten years later, Lord Ogata's only living heir, now a skilled ninja, uses sorcery to avenge the murders of his parents.

時は鎌倉幕府初代将軍・源頼朝治世の頃。河津三郎祐泰は奸臣・工藤祐経の悪謀によって命を落とす。祐経による一家への圧迫と責苦のなか、祐泰の息子たち曾我十郎と五郎の兄弟は仇討の機を狙っていた。そして苦節十八年、二人は富士の嶺に狩りを行なう工藤陣屋に、折からの雷雨を突いて斬りこんでいく。

This adaptation of a Hideji Hojo novel, about the historical uprising of the Kuroda clan in 1633, is told through the eyes of retainer, Daizen. As his clan’s new leader, Tadayuki, becomes increasingly militant in his opposition to the Tokugawa shogunate, Daizen is forced to reconcile his loyalty to the clan with his loyalty to Tadayuki, who seems dead set on entangling the clan in destructive conflict. The Kuroda Affair’s mise-en-scène is said to have influenced future Toei director Eiichi Kudo. The film also features two of the greatest stars of Japanese period cinema, Chiezo Kataoka and Ryutaro Otomo.

A historical scroll depicting the story of the tragic fate of the young samurai Minamoto Yoshitsune, based on the novel by Genzo Murakami. The action of the first part takes place in the late Heian period, when the Taira clan came to power, and Genji was oppressed. The great dream and ambitions of Genkuro Yoshitsune in his youth are depicted, he joins forces with his older brother Yoritomo to raise an army to defeat the Taira clan, and the second part depicts the fall of the clan, persecution and murder.

酒のいさかいから主人を殺された槍(やり)持ち権八のあだ討ちを、旅芸人母子、小間物屋、大金を持った男と大泥棒など、東海道を旅するさまざまな人々の人生の縮図を通して描く傑作時代劇。 仲間稼業の権八は東海道を、若様酒匂小十郎の槍持ちをつとめて、供の源太と江戸へ向った。同じ道を旅する一行は、小間物商人の伝次、身売りにゆく田舎娘おたねと老爺の与茂作、あんまの藪の市、巡礼、旅芸人のおすみ母子、挙動不審の藤三郎という男、最後に権八の槍に見とれた浮浪児の次郎等である。折柄、街道には大泥棒風の六右衛門詮議の触れ書が廻っているが、権八はそれ所ではない。朗らかで気立てが優しいが、酒乱癖のある若様を守って旅を終るのが主命である。供の源太が酒好きなので気が気ではない。一行は袋井に一宿したが、藤三郎が大金を持っているのに目をつけた伝次は、さては大泥棒とつけ廻すが、隣室で藪の市に肩を揉ませている巡礼こそ大泥棒六右衛門なのである。その夜、おすみの使を受けて権八も悪い気がせず外へ出ると、その隙に小十郎は源太を連れて酒を飲み始めたが、駈けつけた権八に制せられ事なきを得た。また旅が始まったが、大井川の近くで何処かの馬鹿殿様が始めた野立ての為通行止になり、大井川を前に長逗留となった。隙を狙って六右衛門は馬鹿殿の路銀を盗んだが、うっかりして顔を見知られた次郎に発見され、来合わせた権八の槍に怖気が出て簡単に縛についた。与茂作が女衒久兵衛におたねを渡して帰ろうとすると藤三郎に引留められた。五年前預けた娘を引取る為、稼ぎ貯めた金を持って来たのだが、娘は亡くなっていたのだ。小十郎は、素朴な人々を見て武士の世界に嫌気がさし、又源太と居酒屋に入った。権八の駈けつけた時は遅く、小十郎と源太は酔いどれ武士の手に無惨な最期を遂げていた。数日後、骨箱を抱えて国元へ出立する権八がいた。