Kristina Hristova-Nikolova

Grandma and Grandpa always loved their tranquil life. But in these times of isolation, where the difference between home and prison is hard to see, a long forgotten feeling rises again: boredom. And boredom can be a very dangerous matter.

Lost in the labyrinth of his subconscious, Gottlieb struggles to find his way back to reality. Deconstructing his make-believe world puts his life at risk, however, and as his realities collide he becomes aware of his self-imprisonment.

Ana, a 15 year old girl, replaces the SIM card from her phone, with that of her late grandfather. She starts pranking her family by sending them messages, using his number. But the seemingly naive joke turns against Ana.

Ana, a 15 year old girl, replaces the SIM card from her phone, with that of her late grandfather. She starts pranking her family by sending them messages, using his number. But the seemingly naive joke turns against Ana.

Six year old Azad (a Kurd from Iraq) was engaged to his cousin Vian but after that the two kids were separated due to the political situation. At 19, Azad accidentally witnessed the murder of Vian's father and had to leave the country. On board the ship to Europe he met a beautiful girl and fell in love with her without recognizing that she was his fiancée Vian. Vian, on her part, did not reveal herself to him because she thought he had been involved in the murder of her father and she tried to suppress her feelings towards Azad.

A child addicted to video games spends most of the time in front of his computer living in the world in which his heroes do. One day it runs into a situation that every "gamer" subconsciously wishes - to literally became part of the game.

In 1917, the legendary French actress Sarah Bernhardt visits the French soldiers on the Macedonian front in the vicinity of Bitola. On the improvised stage she performed excerpts from Hamlet, character that she, as first female has marvelously interpreted twenty years earlier in the cosmopolitan Paris. The lines of Hamlet in the terror of war attain cruel authenticity and open the eternal question - is human capable of escaping from himself.

In 1917, the legendary French actress Sarah Bernhardt visits the French soldiers on the Macedonian front in the vicinity of Bitola. On the improvised stage she performed excerpts from Hamlet, character that she, as first female has marvelously interpreted twenty years earlier in the cosmopolitan Paris. The lines of Hamlet in the terror of war attain cruel authenticity and open the eternal question - is human capable of escaping from himself.