Herself
The first documentary feature by Joannie Lafrenière paints a tender and light-hearted portrait of her friend, the talented photographer Gabor Szilasi. Structured around a number of interviews, notably one between the filmmaker and the energetic, eloquent, insightful and inspiring man himself. This intimate and unconventional documentary revisits the career and personal history of a remarkably creative nonagenarian with a fascinating life story. The film is a journey through the past that remains firmly anchored in the present, much like the photographer himself, who passionately continues to capture the poetry of daily life in his adopted homeland as he has done over the past six decades.
Director
The first documentary feature by Joannie Lafrenière paints a tender and light-hearted portrait of her friend, the talented photographer Gabor Szilasi. Structured around a number of interviews, notably one between the filmmaker and the energetic, eloquent, insightful and inspiring man himself. This intimate and unconventional documentary revisits the career and personal history of a remarkably creative nonagenarian with a fascinating life story. The film is a journey through the past that remains firmly anchored in the present, much like the photographer himself, who passionately continues to capture the poetry of daily life in his adopted homeland as he has done over the past six decades.
Director
Cinematography
Every year, thousands of Quebecers flock south to escape the harsh winters. Using a quirky Wes Anderson–inspired aesthetic, Snowbirds examines their hibernation destination: the French-speaking community of Hallandale Beach in Florida. There we meet characters like Agathe, affectionately nicknamed "Aunty" by the other seniors, an 88-year-old Quebecoise who eats chocolate bars and drinks Pepsi for lunch. Her secret to a pill-free old age? A fanatical worship of the sun. Many others come for the same reason, and together their days at this campground community are dictated by English conversation classes, jaunts to the beach and afternoon lawn bowling. With lots of tenderness and good humour, the film considers the joys and woes of aging, the importance of community and American-Canadian cultural differences.
Director
Every year, thousands of Quebecers flock south to escape the harsh winters. Using a quirky Wes Anderson–inspired aesthetic, Snowbirds examines their hibernation destination: the French-speaking community of Hallandale Beach in Florida. There we meet characters like Agathe, affectionately nicknamed "Aunty" by the other seniors, an 88-year-old Quebecoise who eats chocolate bars and drinks Pepsi for lunch. Her secret to a pill-free old age? A fanatical worship of the sun. Many others come for the same reason, and together their days at this campground community are dictated by English conversation classes, jaunts to the beach and afternoon lawn bowling. With lots of tenderness and good humour, the film considers the joys and woes of aging, the importance of community and American-Canadian cultural differences.
Cinematography
Since 1980, Lucille Côté has lived in Laterrière, surrounded by more than 250 animals. With a silver mane and candid demeanor, Lucille practices a craft that has long been the exclusive domain of men: Taxidermy. Through various contemplative and country-flavoured tableaux, we meet a particular breed of taxidermist, living outside of the digital age, with enough skills to get by in the woods without a compass or a frying pan.
Director
Since 1980, Lucille Côté has lived in Laterrière, surrounded by more than 250 animals. With a silver mane and candid demeanor, Lucille practices a craft that has long been the exclusive domain of men: Taxidermy. Through various contemplative and country-flavoured tableaux, we meet a particular breed of taxidermist, living outside of the digital age, with enough skills to get by in the woods without a compass or a frying pan.
