Duncan Cowles

A story of a father and son and... a volcano. Gavin built a 6-foot volcano and he asked his Dad if he could store it in his shed for a short while until he figured out what to do with it, but that turned into five years and his Dad has threatened to destroy it over the years. Gavin aspires to bring him and his Dad together through the volcano, to help his father see it as he does. However, there's a challenge - his dad holds no interest in modern art and has declined any involvement in the documentary.

Prompted by the death of his grandfather, a filmmaker comes to terms with his feelings of loss by focussing on something smaller.

What's it like to feel no emotion?

Using his failed attempts at creating profitable stock footage, a filmmaker reflects on the absurd, mundane and funny side of being trapped inside your own head as an out of work, self-employed freelancer.

Using his failed attempts at creating profitable stock footage, a filmmaker reflects on the absurd, mundane and funny side of being trapped inside your own head as an out of work, self-employed freelancer.

Using his failed attempts at creating profitable stock footage, a filmmaker reflects on the absurd, mundane and funny side of being trapped inside your own head as an out of work, self-employed freelancer.

Using his failed attempts at creating profitable stock footage, a filmmaker reflects on the absurd, mundane and funny side of being trapped inside your own head as an out of work, self-employed freelancer.

Using his failed attempts at creating profitable stock footage, a filmmaker reflects on the absurd, mundane and funny side of being trapped inside your own head as an out of work, self-employed freelancer.

This film aims to capture the stories of the aging Isabella, but also captures her condition and loss of cohesiveness as she loses herself into dementia and Parkinson's. It is also a very personal film since the subject is the grandmother of one of the co- directors. The idea is interesting as it links one strong clear memory, told several times, to other fragments and truths of her condition. Animation is sparingly but cleverly used to complement the delivery and avoid it just being a talking head.

Making a film when you're 87 is less than convenient. Examine the difficulties of communication between the generations, as Tweedie is encouraged to see the world differently through the lens of his grandson.

Living at home when you're twenty-one has it's downsides...

A short character portrait of Stuart Murray, a Glaswegian Postman and Artist

Contrasting artistic visions, misplaced confidence and blatant ignorance collide on the backdrop of an increasingly fragile and divided world. Two stubborn Scottish filmmakers struggle to make a short film together in the Austrian Alps.