Hair Department Head
A chronicle biopic of the 22-year career of soccer star Roberto Baggio, including depictions of his difficult debut as a player, his deep rifts with some of his coaches, his triumph over injuries and personal discovery of Buddism.
Hair Department Head
Antonio Barracano, a man of honor distinguishing between “decent people and scoundrels” in the Neapolitan underworld, is the "Mayor of Rione Sanità". Administering justice according to his own criteria, beyond the State, he is faced with a difficult decision when Rafiluccio Santaniello, the baker's son, asks him for his benediction to kill his father.
Hair Department Head
One livid dawn, a cold and damp wind blows as a man walks alone through the darkness. Deputy Police Superintendent Francesco Prencipe is on his way to meet his best friend, Judge Giovanni Mastropaolo whom he hasn't seen for almost two years. The men drive for two hours and exchange but a few words. Later that morning, the Judge is found dead, a single gunshot wound to his head. Francesco is the last person who saw him and his fingerprints are the only ones found in the house. But is he the murderer?
Hair Department Head
A gang of teenage boys stalk the streets of Naples armed with hand guns and AK-47s to do their mob bosses' bidding – until they decide to be the bosses themselves.
Hairstylist
The life and times of Pippo Fava, a Sicilian journalist who fought the Mafia through his local newspaper in the '70s and early '80s, meeting an untimely end.
Hairstylist
アイアンマンことトニー・スタークが完成させた人工知能“ウルトロン”の暴走に端を発する、ヒーローたちによる愛する者たちを救うための戦いをダイナミックに描く。人類の危機的状況を何度も打破してきたアイアンマンことトニー・スタークは、平和維持システムとしての人工知能“ウルトロン”を誕生させる。人類を脅威から守るために完成させたウルトロンであったが、平和を脅かす唯一の存在は人類だと結論付け、抹消しようとする。監督は、前作でもメガホンを取ったジョス・ウェドン。
Assistant Hairstylist
We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.
Key Hair Stylist
Lisa Boeri is at the top of her corporate career. At night she frequents the notorious Club Tulpa, owned by a mysterious Tibetan guru. Unshackled from repression and guilt, Lisa will do anything with any stranger to attain a higher consciousness. However, when her lovers start getting murdered in shocking ways, Lisa can’t go to the police because the scandal would impact her day job. Foolishly she tries to unmask the assassin herself, with truly nightmarish consequences.
