Julie's mother leaves the family, and Julie must take over as matriarch. When she falls in love with Kyle, her dad has to put his foot down as Julie deals with her life.
Jane is a woman who does not remember her husband nor her daughter who has died some years ago because of a severe amnesia. As she suffers this loss of memory she has some paranormal sensations feeling that something strange and terrible will happen...
The first installment of this Emmy award-winning series. A movie based at Babylon 5: a new space station built by Humans. The Vorlon ambassador, Kosh, has been poisoned. It is the new commanding officer's, Jeffrey Sinclair, responsibility to find the culprit. Otherwise the space station will fail in its role to bring all the races together.
A man named Dennis Skinner rents an apartment in a couple's house, Kerry and Geoff. At night he roams the streets with a goodie-bag filled with knives looking for victims to skin, constantly followed by a hobbling junkie Heidi who was mutilated by him and is now looking for revenge. Dennis is attracted to Kerry and wants to show her the real him.
Kelly's grandpa invites the whole clique to his little hotel "The Hideaway" in Hawaii for summer vacation. They expect a marvelous time at the beach - without Belding. Upon arriving, they quickly learn that not only is Belding there, but they also have to help Kelly's grandpa from losing his hotel. Meanwhile Zack meets (again) the love of his live, Jessie and Slater bet with Lisa that they won't fight and Screech gets kidnapped by the Pupuku clan.
Privilege is an intelligently conceived, boldly anarchic, and wickedly insightful exposition on the culturally ingrained and socially divisive malaise of isms that artificially define and characterize empowerment in contemporary society: ageism, sexism, economic elitism, and racism. Yvonne Rainer conveys texture through the intercutting of archival footage, video, and film - as well as compositional layering through the film-within-a-film structure, elliptical (and self-referential) fusion of past and present, and the filmmaker's idiosyncratic penchant for superimposed typed text.
