Cinematography
In the rehabilitation unit of an Athenian trauma hospital, victims of serious accidents struggle to walk again… or at least return to an autonomous existence. Divided between hope and acceptance, they offer us a glimpse into the depths of human condition.
Cinematography
An integral part of Greek folklore, Manolis Glezos is best known as the man who tore the swastika flag from the Acropolis during the Nazi invasion in 1941. Since then he has lived a mercurial existence; often caught between moments of glory and controversy as he continued to battle for his ideals. With the country knee-deep in a crushing financial crisis, Glezos is back in the limelight, elected as the oldest member of the European Parliament in 2014, at the age of 92. Yet he won't even discuss "the flag incident" refusing to be pigeonholed as a one-hit-wonder. Scolding, lecturing and joking along the way, he develops a tug-of-war relationship with the filmmakers, as they uncover the man behind the myth.
Camera Operator
Jasim and Alsaleh are underage refugees in a Greek prison. Coming from Syria and Iraq, they were arrested and accused of smuggling illegal immigrants. With unique access in the juvenile prison and court room, the film follows the two friends closely while in custody, during the trial and after the verdict, through a narrative of suspense which reveals how youngsters are forced to transport migrants across the border to Greece while the smugglers stay behind and continue their job uninterrupted. If Jasim and Alsaleh are found guilty, they will face extremely long prison sentences. Phone conversations between the imprisoned young boys and their mothers at their war-stricken countries accentuate the double enclosure that these families experience. No one knows how and when their long run will end.
Director of Photography
“I present the world with a very different approach, not as it was taught to us at school or in the army. I believe that each one has the right to see the society he lives in with his own particular view. I am, personally, more interested in Devil than God”- Elias Petropoulos. A restless and inquisitive spirit, a foe of academics and the status-quo, Petropoulos was the first folklorist in Greece, who dealt with social outcasts and described people and situations ignored by his country’s official history. Petropoulos takes us on a journey to unknown landscapes of our tradition and Greek-ness and acquaints us with all those people who belong to our social underground and who dominate his books. Rebetika musicians, bums, spivs, whores and homosexuals, people tormented and Greek-ness and acquaints us with all those people who belong to our social underground.
