Editor
In a humanitarian camp opened in Paris, refugees are in transit. In this "first reception" center, they are resting from the street where they were stranded when they arrived in France. A few days of humanity, that we spend with them. But already, they have to face the Prefecture and hear the cold administrative sentence. We are always with them.
Cinematography
In a humanitarian camp opened in Paris, refugees are in transit. In this "first reception" center, they are resting from the street where they were stranded when they arrived in France. A few days of humanity, that we spend with them. But already, they have to face the Prefecture and hear the cold administrative sentence. We are always with them.
Director
In a humanitarian camp opened in Paris, refugees are in transit. In this "first reception" center, they are resting from the street where they were stranded when they arrived in France. A few days of humanity, that we spend with them. But already, they have to face the Prefecture and hear the cold administrative sentence. We are always with them.
Sound
中国史の闇といわれている「反右派闘争」に迫った、全三部、8時間を超えるドキュメンタリー大作。1950年代後半、中国共産党によって突然「反動的な右派」と名指しされた55万人もの人が理由もわからずに収容所へ送られた「反右派闘争」。収容所は世界的な大飢饉も重なり、大量の餓死者が続出する地獄のような状況と化した。生存率10％とも言われた収容所から生き延びた人びとが、半世紀以上の時を経てカメラの前で語る体験の数々。山形国際ドキュメンタリー映画祭2019のインターナショナル・コンペティション部門で上映され、ロバート＆フランシス・フラハティ賞（大賞）と市民賞（観客賞）をダブル受賞した。
Director
Director
Alain Crezé saw his entire herd go to slaughter because of a single case of mad cow. He wants to leave the farming profession. It is less a whim than a fed up: "before we fed people, today we enrich the food industry". He is 45 years old. Convert but to do what? The questions of work, of "know-how", of the desire to exercise a trade rather than occupying a job, of lifelong training, of acceptance of the rules of the system then arise.
Sound Editor
In this French drama, a teenager falls into a life of crime, little realizing the consequences. S. is a moody young man who loses his job at a bakery, and decides to throw in his lot with a group of thieves about the same age as himself. S. and his cronies are strictly small-timers, pulling off second-rate break-ins for an older crime boss, but his willingness to do what he's told helps him rise up the ladder to bigger and more lucrative jobs. However, S. lacks the maturity or experience to deal with the risks, and after a few disastrous mistakes, he finds his fortunes sinking far faster than they rose.
