Adrienne Garcia

参加作品

No Man of God
Set Decoration
The complicated relationship that formed between the FBI analyst Bill Hagmaier and serial killer Ted Bundy during Bundy's final years on death row.
Wander Darkly
Set Decoration
New parents Adrienne and Matteo are forced to reckon with trauma amidst their troubled relationship. They must revisit the memories of their past and unravel haunting truths in order to face their uncertain future.
Andromeda
Set Decoration
In a near future when androids are the new working class, one 'Andromeda' will be the breakthrough for human-level artificial intelligence. Through the love and care of a child, this android is given the gift of a heart and the promise that one day she will become real. But her transformation is dangerous, and there are those who will do anything to have her destroyed.
Andromeda
Art Direction
In a near future when androids are the new working class, one 'Andromeda' will be the breakthrough for human-level artificial intelligence. Through the love and care of a child, this android is given the gift of a heart and the promise that one day she will become real. But her transformation is dangerous, and there are those who will do anything to have her destroyed.
American Satan
Set Decoration
A young rock band, half from England and half from the US, drop out of college and move to the Sunset Strip to chase their dreams.
死霊館 エンフィールド事件
Art Department Assistant
1960年以降、アメリカを中心に数々の心霊事件を解決に導いてきた実在の心霊研究家ウォーレン夫妻。彼らが極秘にしてきた事件を描き、世界中に“真実の恐怖”を叩きつけた前作『死霊館』から3年。オリジナルキャスト&スタッフが再び驚愕の実話恐怖事件を掘り起こす。その名は「エンフィールド事件」。“史上最長期間続いたポルターガイスト現象”として心霊史に残る悪名高き事件で、人々は“ポルターガイスト”という言葉と、その恐ろしさを知ることとなった。前作を遥かに凌ぐ“極限の恐怖”の舞台はロンドン北部エンフィールド。正体不明の音・不穏な囁き声・人体浮遊など数々の不可解現象に苦しむ人々を救うためウォーレン夫妻は再び恐怖の元凶と対峙することとなる。
Remigration
Production Design
Upon returning to their countryside cabin one day, Kaya, his wife Helen, and their daughter Naomi are confronted by two suited men: representatives of the San Francisco Remigration Program. The men explain that San Francisco is now occupied entirely by the wealthy class. But stoplights still burn out and trains occasionally jump their rails. Blue-collar labor isn't obsolete, but it's scarce. The city has created a program to "remigrate" long-gone working class families from their inland homes back to the city that once pushed them out. Kaya, Helen, and Naomi return to San Francisco and join a handful of other potential remigrants for a tour of what can be expected in their new lives. But can they learn to trust their old home once again?