Alfredo Mora Manzano

Vicky is fisherman by day and bar owner at night. When she was a little boy her dream was to be a radio soap opera star, nowadays she dreams of falling in love again. How is it possible that a small, barren place in the third world has managed to achieve this special form of freedom and tolerance?

Origin story of Capitán Escudo, an Ecuadorian superheroe.

Alexandra Cuesta cites eternal wanderer Henri Michaux as one of the inspirations for her first feature. It’s curious, then, that the opening sequence of Territorio (the first film Cuesta shot in her native Ecuador) shows us a boat heading for the shore. It is very likely that, to Cuesta, the image of water hides the same connotation than it does to the author of “The Sea of Breasts”: returning home, being sheltered in the mother’s womb. Without detouring from the formal approaches of her previous work, Cuesta traces a journey that crosses the country from north to south, drawing a human cartography in which the aim is to achieve an impossible balance between the foreign traveler’s gaze and the earnest familiarity of those who return home temporarily.

A personal journey in search of two grandfathers: Remo, a self taught Ecuadorian doctor who wants to discover immortality, and Juan, communist militant who was assassinated during the Chilean military dictatorship in 1973. A granddaughter who grows between exile and a magical universe. Two stories, a close one and a buried one. Two dreams reflected in two landscapes: one with leafy mountains; the other, arid and deserted.

Beatriz looks for her former partner Mercedes, but she is already with someone else. Beatriz forces her entry into his house and asks her to come back.

A suspense thriller about a reporter from Miami who travels to Ecuador in pursuit of a serial killer known as the "Monster of Babahoyo."

Adaptation of Pablo Palacio short story that through a teacher and a group of his students, presents an exercise of dispersion and annihilation converted into an aesthetic object.