Esteban Brauer

1820. A group of patriots forge the independence of Guayaquil and Ecuador.

Tato (17), is an orphan adrift, a young rap lover. Along with his friends Pitu (18) and La Crespa (16), they seek an alternative to death and crime, through the art of hip hop and street jam battles. Tato has to run, and his only option is to leave the city and live with his grandfather Octavio (78), a flower grower, whom he does not know, and who wishes to inherit his traditions. Two genera- tions, two ways of life and a continuous feeling of loss, death and loneliness rain over Tato’s life in his struggle to survive and find his own identity.

Julia, a teenager from Latin America, has lived in the U.S. most of her life. She is popular, a successful Youtuber and wants to become prom queen. Everything changes abruptly when her family has to return to Ecuador. What will she have to face? Getting used to a new culture and a catholic high school will not be easy. The "gringa" becomes the target of "La Reinas", three popular bullies who rule the school. Julia is now a misfit who will have to earn her new friends' affection in order to survive.

A woman travels through a virtual world in which she is only recognized through her publications on social media or her reflections on the screen. Her day seems to pass in the circuits of a virtual platform where she interacts with other Internet users, chatting, reading articles online or ordering delivery. She is interrupted by a sound that forces her to walk through her house until she discovers something that will reveal the most painful and revealing aspects of her own existence.

A handmade narco sub is on the verge of sinking and losing its precious cargo due to a mechanical failure. The three crew members are forced to open the forbidden cargo cabin to distribute the weight and save the ship. Next to the cargo they find a special “gift“ for the buyer: a young girl, gagged and in terrible shape. The boat, barely big enough for three to begin with, becomes a steaming powder cake of fears, desires and greed.

Mariano Cruz Ordóñez is an Ecuadorian bullfighter at the end of his artistic career. Mariano was a figure of bullfighting in Ecuador and participated in the most important bullrings of his country and the world. The glory years have passed and prohibitions have arisen regarding bullfighting shows, and the only thing left is, with tenacity and faith, to fight against various adverse circumstances looking for a chance to move foward.

In the north of the pampas, the remains of a population lie hidden under the soil; they’ve been this way for more than a century. Their casual discovery is the starting point with which the film tries to puzzle out that mystery. There where soy reigns, one more battle is fought in the constant struggle of film against oblivion.

As Cotopaxi spews ash, issuing an eerie penumbra over Quito, a young woman confronts dormant familial conflicts. Desperate for a place to store her things as volcanic disaster looms, Caridad turns to her long-estranged father Galo for help. Galo abandoned Caridad’s mother long ago and is eager to make amends, but questions concerning the nature of his transgressions linger, straining communication between father and daughter and casting grave doubts over the possibility of reconciliation.

As Cotopaxi spews ash, issuing an eerie penumbra over Quito, a young woman confronts dormant familial conflicts. Desperate for a place to store her things as volcanic disaster looms, Caridad turns to her long-estranged father Galo for help. Galo abandoned Caridad’s mother long ago and is eager to make amends, but questions concerning the nature of his transgressions linger, straining communication between father and daughter and casting grave doubts over the possibility of reconciliation.

Sara is 23 years old and is blind. One morning she goes to her country house accompanied by her boyfriend Jose Luis, her cousin Carolina and her boyfriend Pedro. At first the trip seems to be quite fun, but there is a strange energy in this country house as a result of a very dark past. As time goes by, the truth begins to unfold, and the intentions of each of the characters engages them in unexpected carnal desires. All this happens around Sara's blindness.

A look at the life of Toty Rodríguez: An actress who made her career in France during the 60s, a well-known Diva in Ecuador as well as an icon of the women rights. She returns to Paris with her nephew to revisit her past in a town that changed her life.

David and Lucia are two strangers. Once, a while back, they were not. David has always been shy; Lucia always lovely. The rest of the story is just life and its turns. one early morning, at a gas station, they meet by coincidence. The conversation will shake their certainties. Although, they are not the same people anymore, there are things that never change.

Fifteen years ago Pablo, Andres, Juan and Carolina were together for the last time. The days when their lives revolved around the old hideout were they grew up as teenagers are now over. It was during 1987 when the adventure that made them fell free ended abruptly. Two seconds changed everything forever. A story that starts as an apparently normal reunion of old friends evolves into the pursuit to rebuild their lives with the pieces of others that were broken.

A drama set in turbulent, turn-of-the-millennium Ecuador and centered on a young man who begins to develop complicated feelings for Juano after he saves him from a beating.

The life of Swedish explorer Rolf Blomberg: his books and his films, his photographs and his illustrations. Blomberg explored Ecuador as few others have done and created this vast and exciting work. He arrived in 1934 to study the Galapagos Islands and returned many times to film, write and photograph the natives and the fishermen, the cities and the rainforest. This film explores the explorer through his work. Developed exclusively based on the enormous visual legacy of Blomberg, we travel to a different time and find a view that, despite the passage of time, remains intact. Today, viewing his work, we see how the entire self-identity of the country might have been very different.

Satya was born in the countryside, in the middle of the world. Helen and Nicola, her mothers, wanted her to be born there, in the peace of his home. They wanted Satya to be Ecuadorian. Two weeks after her birth, Helen and Nicola went to the Ecuadorian Civil Registry office to register her daughter under both mothers' last names. Their request was denied. This is the story of a family established in a country with a Constitution that recognizes their rights but with a State that does not guarantee those rights and a society where many still deny them completely.

Jorge, a young Ecuadorian, is unexpectedly in the middle of the jungle as an inexperienced soldier. At first, Jorge is confident that military experience makes you a recognized and respected man. But he finds out that the reality is very different; as the private may face neglect, hunger, death and nature, especially human nature. Captive in an enemy camp, Jorge must discover who he has become as he recovers from his injuries and struggles to escape with his fellow prisoner Hugo or stay there under the care of the Peruvian nurse Dolores. Difficult decisions ... beyond the target and border that divides them are abound.

Aurora, a divorced woman, receives a call from her 14 year old son's principal to let her know that he is being expelled on the last day of class. In an attempt to reach her son, she fights to fulfill her duties as a publicist, daughter, sister, and single mother. Meanwhile, her son deals with the insecurities of growing up. A chaotic city and an outdated education system trap mother and son in an increasingly impersonal world.

Being different is no easy task. And when the difference is so visible, like albinism, or so burdensome, like a heart condition, things get harder. Albino introvert Tito must travel from Panama to Costa Rica to pick up his sick father. Not having spoken to his father in years, their reunion is less than desired. César has always lived on his own terms and would rather deal with his weakness alone. And Tito would rather not deal with anyone. So, the ride back to Panama is a bit heated. They might kill each other but not without first confronting their anxieties and the reasons for the distance kept between them for so long

A meeting between the daughter and the grandmother of the director, Iván Mora Manzano, at a time when the memories of one, the girl’s, were taking shape, and the other’s the grandmother’s, were vanishing. This starting point is used as a pretext to talk about other topics such as the importance of family memories and the search for memory.

En el Nombre de la Hija tells the story of a nine-year old girl whose name is in dispute. Manuela has been named alter her socialist-atheist father, but her catholic-conservative grandmother insists she should carry the name the first daughters of the family have carried for generations: Dolores. The story takes place in a Valley in the Ecuadorian Andes, during the summer of 1976. Manuela and her little brother, Camilo, are spending vacations with their cousins and grandparents at the family's farmhouse. Eager to defend her father's ideas, Manuela confronts her cousins and grandparents, but an unexpected encounter leads her to confront herself instead. Hidden in the family's abandoned library, schizophrenic uncle Felipe is devoted to setting words free from the constraints of dogmas. His wisdom sets Manuela free from her own dogmas and forever changes her relationship with words, including her own name.

Blaquito is thirty years old and lives with his mother in El Matal, a small fishing village on the coast of Ecuador. One day, the beach turns up filled with cocaine packets. Blanquito, along with his friend Lorna, decide to travel to Guayaquil, where people will pay five times more per package. Little does Blanquito realize that in the days that follow he will be staring at death in the eye and losing his head for love.

Is there an audience for Latin American movies? These are some of the questions posed by an Ecuadorian filmmaker whose latest movie was a commercial flop. He embarks on a query to find answers to his questions and relief for his despair. His research leads him to a giant contraband market in the port city of Guayaquil, where pirated movies from all over the world are sold for one dollar each. Here, he discovers a number of Ecuadorian low budget movies produced by amateurs, with titles he had never heard of before: from action packed productions to evangelical melodramas.

Documentary about ecuadorian writer Jorge Enrique Adoum.

Jonathan and Romario are two Afro-Ecuadorian children from the Chota Valley, one of the poorest regions of Ecuador. Their fate can be one of two: to become world-class footballers like Ulises de la Cruz, Chucho Benitez and Antonio Valencia, or farmers like Darwin. This documentary reveals the lack of opportunities, discrimination, and economic and social segregation that black communities face in Ecuador.

November 7th, 2001. After a seventy years absence, the Ecuadorian national soccer team is close to qualifying for the first time to a Soccer World Cup. This documentary follows the events that took place during that historic date, when a whole country lived under the shadow of a soccer game.

One day five women from Quito, friends in their teens, decide to get back together after fourteen years. Helena is waiting for her second child, Marina lives the ups and downs of infidelity, Diana, an early widow, shares her loneliness with her 15 year old daughter and Tamara has not abandoned the random life of nightclubs, men and drugs. The purpose of their get-together is to visit their old classmate, Alejandra, who is consumed by an illness.

1809-1810: mientras llega el día is a 2004 Ecuadorian historical-dramatic film, directed by Camilo Luzuriaga and starring Marilú Vaca, Aristides Vargas and Gonzalo Gonzalo. The plot is based on the book by Juan Valdano, and revolves around the events that took place in the city of Quito between August 10, 1809, when the First Cry of Independence took place in the Spanish colony of the Presidency of Quito, and on August 2, 1810, when the Massacre of the Próceres occurred in the hands of the peninsular authorities.

Adaptation of Pablo Palacio short story that through a teacher and a group of his students, presents an exercise of dispersion and annihilation converted into an aesthetic object.

After a nuclear catastrophe, a man who did not know how to continue living in silence went out to look for sounds, voices and whispers in the remains of a scorched nature.

Fantasy feature film

Fantasy feature film