Sergei Minervin

There were three sisters — Vera, Nadezhda and Lyubov. Vera, having survived unhappy love, goes to the monastery, where she gives birth to a child. The child dies, Vera commits suicide. Lyuba and grandmother attend church and maintain relations with priest Aleksandr. To Nadezhda that condemns their religiosity, it seems that Lyuba is in love with father Aleksandr. She comes home to him and demands that he stop dating Lyuba. However, it turns out that Aleksandr is in love with Nadezhda. Knowing him better, she reciprocates him, facing a difficult choice, Aleksandr breaks with religion.

Romm's "Ordinary Fascism" pulls out all the stops in its selection of documentary material to draw the viewer not only into absolute horror about fascism and nazism in the 1920s–1940s Europe, but also to a firmest of convictions that nothing of the sort should be allowed to happen again anywhere in the world.

Young men wander around Moscow as a last hurrah before a wedding.

Three of them hunted a bear, but a man was accidentally killed instead. The investigation must determine which of the hunters is responsible for this death. However, there is also a judgment of conscience — the most difficult judgment, because a compromise with one's own conscience never leads to good...

A young ordinary communist, Vasiliy Gubanov, was among many who took part in the construction of the most important facility for the young republic, the power plant. He did his job in a way that was beyond human ability. He could love, too, with a passion and a passion for self, but his life was cut short very early.

On falling in love with Sergey, Natasha gives up studies at a pedagogical institute and accompanies him to a construction site. In a course of time she realizes that her husband is interested only in his work. She leaves him, graduates from the institute and works as a teacher. But Sergey is fired for authoritative style of work and Natasha realizes that she must be near to him in his hour of need.

On the evening of May 9, 1945, when Moscow is noisily and cheerfully celebrating the Victory Day, a young girl agronomist Zina Sokolova and a sailor officer Lavrentyev meet in the compartment of the Moscow-Vladivostok train. The sailor takes the lively, direct character of the girl for windiness and frivolity. Sokolova also reacted frowningly and mockingly to the satellite. To get to know each other better, travelers are helped by nuisance: they are behind the train, and the rest of the way they are together, getting to know people and the life of the country along the way.

A Russian peasant woman is captured by Nazis and sold into slavery in Germany. Shown in Cannes in 1946.