Isabella Parra

Iris and Ariel are 17-year-old twins, who live with their mother and older sister in an old house in the middle of a rocky island covered with molluscs and birds. The teenagers have grown up isolated from the mainland, in a sibling relationship that surpasses the limits of normal intimacy. The abrupt absence of their mother deeply wounds the three siblings, and Iris, moved by a strong need of separating herself from her brother, decides to go alone to the city for the first time.

Atahualpa works on the construction of a road that will cross the Llanganates Mountain Range, where it is said that the treasure of Inca Atahualpa was hidden in 1533. One night, Atahualpa is the guide of an expedition that goes in search of the treasure at the beginning of the 20th century.

An introvert city teenager is sent to his father's limber ranch. While trying to figure out his place as the son of the boss he finds himself in a world packed with naturalized violence.

The life and works of Ecuadorian writer Marcelo Chiriboga, a key figure of the Latin American literature and member of the “boom” generation. Through interviews, visits to different cities, archival footage and his most important book, a puzzle is woven that blurs the boundaries between reality and fiction.

Alba, 11 years old, passes her days in silence. She loves little animals. She has learned to cope with her mother's illness, helping her to use the bathroom. Alba plays silently so that her mother can rest during the day. One night Alba's mother gets worse, and has to be taken to the hospital. With no one else to take care of her, Alba is sent to live with her father, who she hasn't seen since she was three years old. Living with her father is almost unbearable. Embarrassment, her first kiss, visits to mother in the hospital, Edgar's tender efforts to get close to her, and bullying at school; these are some of the experiences that pave Alba's journey to puberty and to self-acceptance.

How are biographies charted? How is identity constructed? Can we relive our past, reinvent it, rearrange or recycle it? Can we really know who we are if we ignore where do we come from?

Elena comes back to Ecuador to help her father overcome his illness. She spends most of her time between drugs and alcohol. While visiting her grandpa in the Andes Elena gets involved in the fight for water access in an indigenous community. She gradually understands that among family secrets, corruption and dark perversions commitment and beauty can emerge.

Martin and Daniel are inseparable friends. One is a bureaucrat who seeks to overcome every day, even though deep down he knows he will never leave his office desk. The other is a womanizer unstable without goals, but with a mathematical gift.

A murder sets in motion a series of tragedies that find their way to the city morgue's Dr. Arturo Fernandez. Physically and emotionally isolated, Arturo develops an intimate relationship with the personal lives of his cases, forcing him to confront his connection to the living and the dead. This dark, serpentine tale offers a richly textured rendering of Ecuador's capital.