Catherine Brunelle

警察の手に負えない犯罪都市となったシカゴで救急患者を診る外科医ポール・カージー。ある日、何者かが家族を襲撃。妻は殺され、娘は昏睡状態になってしまう。失意の中、日々を過ごす中で善良な市民が死に、悪人の命を救わねばならないこともある医者という立場にも疑問を感じ始める。そして、犯罪が溢れかえり一向に進まない警察の捜査。この状況に怒りの頂点に達したポールは自ら銃を手に、犯人抹殺のため危険な街へと繰り出し始める。悪人には、問答無用。復讐をきっかけに街の悪を一掃する“死神”と呼ばれる救世主へと変貌を遂げていく─。外科医から処刑人へと変ぼうをとげる男のハード・リベンジ・アクションが今、幕を開ける！！

Nina has lived a traumatizing past since she's a little girl. She attempts to break this vicious circle and take reality back into her own hands. Tells the hard hitting story of a woman coping with a history of being sexually abused.

On a wedding day, women are confined to the kitchen to prepare the meal while the men wait to be served. While men talk politics and sports, women talk about their condition. A teenager observes the gap between the sexes. Co-directed by two actresses, Paule Baillargeon and Frederique Collin, The Red Kitchen is the birth of the Quebec women's cinema. The birth of the film was difficult, and funding has been largely achieved through donations from friends and a benefit concert. This war of the sexes takes place in a demanding formal research, based on the improvisation of the actors, whose preparation took place over long sessions in the workshop. The end result mixes black humour, horror and a very expressive fantasy that gave rise to heated debates.